Westworld Ep 3 – The Absence of Field. directed by Amanda Marsalis, written by Denise Thé. thank you to the cast and crew for the amazing experience ✨
Westworld Ep 3 – The Absence of Field. directed by Amanda Marsalis, written by Denise Thé. thank you to the cast and crew for the amazing experience ✨
Westworld Ep 3 – The Absence of Field. directed by Amanda Marsalis, written by Denise Thé. thank you to the cast and crew for the amazing experience ✨
Westworld Ep 3 – The Absence of Field. directed by Amanda Marsalis, written by Denise Thé. thank you to the cast and crew for the amazing experience ✨
Westworld Ep 3 – The Absence of Field. directed by Amanda Marsalis, written by Denise Thé. thank you to the cast and crew for the amazing experience ✨
Westworld Ep 3 – The Absence of Field. directed by Amanda Marsalis, written by Denise Thé. thank you to the cast and crew for the amazing experience ✨
Westworld Ep 3 – The Absence of Field. directed by Amanda Marsalis, written by Denise Thé. thank you to the cast and crew for the amazing experience ✨
WESTWORLD Ep 5 – “Genre”. directed by Anna Foerster, written by Karrie Crouse
WESTWORLD Ep 5 – “Genre”. directed by Anna Foerster, written by Karrie Crouse
WESTWORLD Ep 5 – “Genre”. directed by Anna Foerster, written by Karrie Crouse
WESTWORLD Ep 5 – “Genre”. directed by Anna Foerster, written by Karrie Crouse
WESTWORLD Ep 5 – “Genre”. directed by Anna Foerster, written by Karrie Crouse
WESTWORLD Ep 5 – “Genre”. directed by Anna Foerster, written by Karrie Crouse
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
very grateful for the experience i had shooting for Westworld S3. i had the fortune of working with directors Amanda Marsalis and Anna Foerster – thank you both for the passion and A-game work ethic you brought in your leadership. thank you Karrie Crouse for putting my name in the ring. felt very full circle to work with one of my longest and closest creative pals in this mainstream arena, and she sure killed it in the writing room. i’m especially appreciative of the contributions of the other DPs in particular Paul Cameron and John Grillo, both of whom it was a pleasure to meet and work alongside as they were shooting their episodes. the entire crew worked exceptionally hard and i appreciate all their collaboration and professional wisdom – the camera/lighting/grip teams headed up by operators Chris Harhoff and Soup Campbell, key grip Mike Anderson and gaffer Russell Ayer – Howard Cummings and his tireless art dept – was wonderful to see how they crafted all the expansive sets and locations, down to exquisite detail. Thank you to Jonah Nolan & Lisa Joy, and to Kilter Films & HBO for inviting me to contribute a little slice to their epic universe. a little bts from Ep 3 ⚡️ @amandamarsalis @anna_foerster @karriecrouse @paulcameron_dp @jgrillo310 ❤️
