with liberty and Justice for all <3 Happy Birthday to You :*
with liberty and Justice for all <3 Happy Birthday to You :*
with liberty and Justice for all <3 Happy Birthday to You :*
with liberty and Justice for all <3 Happy Birthday to You :*
with liberty and Justice for all <3 Happy Birthday to You :*
with liberty and Justice for all <3 Happy Birthday to You :*
with liberty and Justice for all <3 Happy Birthday to You :*
maybe she’s barn with it, maybe it’s neighbelline
maybe she’s barn with it, maybe it’s neighbelline
maybe she’s barn with it, maybe it’s neighbelline
@jadeashe your baby boy turns 27 today. I’ve learned a lot— but the real evolution is in the unlearning. Hope you’re proud 🙂
@jadeashe your baby boy turns 27 today. I’ve learned a lot— but the real evolution is in the unlearning. Hope you’re proud 🙂
@jadeashe your baby boy turns 27 today. I’ve learned a lot— but the real evolution is in the unlearning. Hope you’re proud 🙂
@jadeashe your baby boy turns 27 today. I’ve learned a lot— but the real evolution is in the unlearning. Hope you’re proud 🙂
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
(a)t the end of september we began performances of @matthewmichaellopez’ The Inheritance (b)ut after only three shows, I tore my meniscus and I had to leave the show — I res(c)ued a dog to keep me company while I healed and foun(d) other things to be grateful for — like (e)arlier this year, when I was afforded the opportunity to direct and choreograph a production of @octarell_again‘s Choir Boy. this play has been a part of my life since I was 17, so bringing it to New Orleans ten years later was fully circular. what a year. to everyone tagged in this post: I love you too
