Life, lately. ❤️ Belly growing by the day / blonde mama (c/o wizard @kaylacasee ) / rescued another dog at the side of a road with @colin_minihan / scoring into the night / and snuggling with the two rescues we already got. Tired but full ❤️
Life, lately. ❤️ Belly growing by the day / blonde mama (c/o wizard @kaylacasee ) / rescued another dog at the side of a road with @colin_minihan / scoring into the night / and snuggling with the two rescues we already got. Tired but full ❤️
Life, lately. ❤️ Belly growing by the day / blonde mama (c/o wizard @kaylacasee ) / rescued another dog at the side of a road with @colin_minihan / scoring into the night / and snuggling with the two rescues we already got. Tired but full ❤️
Life, lately. ❤️ Belly growing by the day / blonde mama (c/o wizard @kaylacasee ) / rescued another dog at the side of a road with @colin_minihan / scoring into the night / and snuggling with the two rescues we already got. Tired but full ❤️
Life, lately. ❤️ Belly growing by the day / blonde mama (c/o wizard @kaylacasee ) / rescued another dog at the side of a road with @colin_minihan / scoring into the night / and snuggling with the two rescues we already got. Tired but full ❤️
Life, lately. ❤️ Belly growing by the day / blonde mama (c/o wizard @kaylacasee ) / rescued another dog at the side of a road with @colin_minihan / scoring into the night / and snuggling with the two rescues we already got. Tired but full ❤️
We’ve made three film babies together, we figured we’d make a human baby next. Mister and Kobe are v excited to be older brothers and @colin_minihan and I are v excited/scared/perplexed/joyous/overwhelmed/grateful and ready/not ready at all to be mom and pop to a little dude.
We’ve made three film babies together, we figured we’d make a human baby next. Mister and Kobe are v excited to be older brothers and @colin_minihan and I are v excited/scared/perplexed/joyous/overwhelmed/grateful and ready/not ready at all to be mom and pop to a little dude.
We’ve made three film babies together, we figured we’d make a human baby next. Mister and Kobe are v excited to be older brothers and @colin_minihan and I are v excited/scared/perplexed/joyous/overwhelmed/grateful and ready/not ready at all to be mom and pop to a little dude.
We’ve made three film babies together, we figured we’d make a human baby next. Mister and Kobe are v excited to be older brothers and @colin_minihan and I are v excited/scared/perplexed/joyous/overwhelmed/grateful and ready/not ready at all to be mom and pop to a little dude.
Yesterday, news broke that Netflix cancelled Grendel, a show for which an entire season had already been shot and that didn’t get the chance to air. I feel for Matt Wagner, the creator of the Grendel comic, who was beyond excited to have the world that he has built over many years be shown on the screen, and whose weekly motivational emails to the team were a light to start every Monday with. I feel for Abubakr Ali, who was to be the first Arab Muslim superhero with this role, & who gave every ounce of himself day in & day out, physically, emotionally, mentally, and who was also THE MOST gracious and kind “number one” on any set I have ever been on. I feel for every crew member, who arrived on set well before I did, and stayed long after I’d left, for six months, in the cold and the rain and the dark of Vancouver winter, and who somehow, in their exhaustion, jumped up whenever needed, put the extra touch towards their craft, not just because it was their “job” but because they loved telling stories, and they were passionate about telling this one. I feel for the creative team who gave themselves to this project. For myself — I played an opportunistic thief who gets famous off the back of someone else’s hard work… I thank the producers for casting me – this role was a joy to sink my teeth into, and the experience reminded me of how much I love acting — it had been a minute since I’d been on set for The Boys. I’m grateful for the memories, and the story I got to step inside. But it is a shame that the hard work put in by so many talented people won’t likely see the light of day. (@amazonstudios ? Where you at?) This feels like a dangerous precedent that these massive companies are setting, first with HBO Max cancelling a 90 million dollar Batgirl movie and now with Netflix cancelling a 50 million dollar TV series after both had already been shot. The amount of work gone into something of this magnitude, only to be discarded like trash, has to be a symptom of corporate greed. We didn’t sign up to pour our hearts and souls into your tax write off! This series was set in the 90s, and it was a thrill to return to that decade, when Blockbuster reigned supreme.
Yesterday, news broke that Netflix cancelled Grendel, a show for which an entire season had already been shot and that didn’t get the chance to air. I feel for Matt Wagner, the creator of the Grendel comic, who was beyond excited to have the world that he has built over many years be shown on the screen, and whose weekly motivational emails to the team were a light to start every Monday with. I feel for Abubakr Ali, who was to be the first Arab Muslim superhero with this role, & who gave every ounce of himself day in & day out, physically, emotionally, mentally, and who was also THE MOST gracious and kind “number one” on any set I have ever been on. I feel for every crew member, who arrived on set well before I did, and stayed long after I’d left, for six months, in the cold and the rain and the dark of Vancouver winter, and who somehow, in their exhaustion, jumped up whenever needed, put the extra touch towards their craft, not just because it was their “job” but because they loved telling stories, and they were passionate about telling this one. I feel for the creative team who gave themselves to this project. For myself — I played an opportunistic thief who gets famous off the back of someone else’s hard work… I thank the producers for casting me – this role was a joy to sink my teeth into, and the experience reminded me of how much I love acting — it had been a minute since I’d been on set for The Boys. I’m grateful for the memories, and the story I got to step inside. But it is a shame that the hard work put in by so many talented people won’t likely see the light of day. (@amazonstudios ? Where you at?) This feels like a dangerous precedent that these massive companies are setting, first with HBO Max cancelling a 90 million dollar Batgirl movie and now with Netflix cancelling a 50 million dollar TV series after both had already been shot. The amount of work gone into something of this magnitude, only to be discarded like trash, has to be a symptom of corporate greed. We didn’t sign up to pour our hearts and souls into your tax write off! This series was set in the 90s, and it was a thrill to return to that decade, when Blockbuster reigned supreme.
Yesterday, news broke that Netflix cancelled Grendel, a show for which an entire season had already been shot and that didn’t get the chance to air. I feel for Matt Wagner, the creator of the Grendel comic, who was beyond excited to have the world that he has built over many years be shown on the screen, and whose weekly motivational emails to the team were a light to start every Monday with. I feel for Abubakr Ali, who was to be the first Arab Muslim superhero with this role, & who gave every ounce of himself day in & day out, physically, emotionally, mentally, and who was also THE MOST gracious and kind “number one” on any set I have ever been on. I feel for every crew member, who arrived on set well before I did, and stayed long after I’d left, for six months, in the cold and the rain and the dark of Vancouver winter, and who somehow, in their exhaustion, jumped up whenever needed, put the extra touch towards their craft, not just because it was their “job” but because they loved telling stories, and they were passionate about telling this one. I feel for the creative team who gave themselves to this project. For myself — I played an opportunistic thief who gets famous off the back of someone else’s hard work… I thank the producers for casting me – this role was a joy to sink my teeth into, and the experience reminded me of how much I love acting — it had been a minute since I’d been on set for The Boys. I’m grateful for the memories, and the story I got to step inside. But it is a shame that the hard work put in by so many talented people won’t likely see the light of day. (@amazonstudios ? Where you at?) This feels like a dangerous precedent that these massive companies are setting, first with HBO Max cancelling a 90 million dollar Batgirl movie and now with Netflix cancelling a 50 million dollar TV series after both had already been shot. The amount of work gone into something of this magnitude, only to be discarded like trash, has to be a symptom of corporate greed. We didn’t sign up to pour our hearts and souls into your tax write off! This series was set in the 90s, and it was a thrill to return to that decade, when Blockbuster reigned supreme.
Yesterday, news broke that Netflix cancelled Grendel, a show for which an entire season had already been shot and that didn’t get the chance to air. I feel for Matt Wagner, the creator of the Grendel comic, who was beyond excited to have the world that he has built over many years be shown on the screen, and whose weekly motivational emails to the team were a light to start every Monday with. I feel for Abubakr Ali, who was to be the first Arab Muslim superhero with this role, & who gave every ounce of himself day in & day out, physically, emotionally, mentally, and who was also THE MOST gracious and kind “number one” on any set I have ever been on. I feel for every crew member, who arrived on set well before I did, and stayed long after I’d left, for six months, in the cold and the rain and the dark of Vancouver winter, and who somehow, in their exhaustion, jumped up whenever needed, put the extra touch towards their craft, not just because it was their “job” but because they loved telling stories, and they were passionate about telling this one. I feel for the creative team who gave themselves to this project. For myself — I played an opportunistic thief who gets famous off the back of someone else’s hard work… I thank the producers for casting me – this role was a joy to sink my teeth into, and the experience reminded me of how much I love acting — it had been a minute since I’d been on set for The Boys. I’m grateful for the memories, and the story I got to step inside. But it is a shame that the hard work put in by so many talented people won’t likely see the light of day. (@amazonstudios ? Where you at?) This feels like a dangerous precedent that these massive companies are setting, first with HBO Max cancelling a 90 million dollar Batgirl movie and now with Netflix cancelling a 50 million dollar TV series after both had already been shot. The amount of work gone into something of this magnitude, only to be discarded like trash, has to be a symptom of corporate greed. We didn’t sign up to pour our hearts and souls into your tax write off! This series was set in the 90s, and it was a thrill to return to that decade, when Blockbuster reigned supreme.
Yesterday, news broke that Netflix cancelled Grendel, a show for which an entire season had already been shot and that didn’t get the chance to air. I feel for Matt Wagner, the creator of the Grendel comic, who was beyond excited to have the world that he has built over many years be shown on the screen, and whose weekly motivational emails to the team were a light to start every Monday with. I feel for Abubakr Ali, who was to be the first Arab Muslim superhero with this role, & who gave every ounce of himself day in & day out, physically, emotionally, mentally, and who was also THE MOST gracious and kind “number one” on any set I have ever been on. I feel for every crew member, who arrived on set well before I did, and stayed long after I’d left, for six months, in the cold and the rain and the dark of Vancouver winter, and who somehow, in their exhaustion, jumped up whenever needed, put the extra touch towards their craft, not just because it was their “job” but because they loved telling stories, and they were passionate about telling this one. I feel for the creative team who gave themselves to this project. For myself — I played an opportunistic thief who gets famous off the back of someone else’s hard work… I thank the producers for casting me – this role was a joy to sink my teeth into, and the experience reminded me of how much I love acting — it had been a minute since I’d been on set for The Boys. I’m grateful for the memories, and the story I got to step inside. But it is a shame that the hard work put in by so many talented people won’t likely see the light of day. (@amazonstudios ? Where you at?) This feels like a dangerous precedent that these massive companies are setting, first with HBO Max cancelling a 90 million dollar Batgirl movie and now with Netflix cancelling a 50 million dollar TV series after both had already been shot. The amount of work gone into something of this magnitude, only to be discarded like trash, has to be a symptom of corporate greed. We didn’t sign up to pour our hearts and souls into your tax write off! This series was set in the 90s, and it was a thrill to return to that decade, when Blockbuster reigned supreme.
Yesterday, news broke that Netflix cancelled Grendel, a show for which an entire season had already been shot and that didn’t get the chance to air. I feel for Matt Wagner, the creator of the Grendel comic, who was beyond excited to have the world that he has built over many years be shown on the screen, and whose weekly motivational emails to the team were a light to start every Monday with. I feel for Abubakr Ali, who was to be the first Arab Muslim superhero with this role, & who gave every ounce of himself day in & day out, physically, emotionally, mentally, and who was also THE MOST gracious and kind “number one” on any set I have ever been on. I feel for every crew member, who arrived on set well before I did, and stayed long after I’d left, for six months, in the cold and the rain and the dark of Vancouver winter, and who somehow, in their exhaustion, jumped up whenever needed, put the extra touch towards their craft, not just because it was their “job” but because they loved telling stories, and they were passionate about telling this one. I feel for the creative team who gave themselves to this project. For myself — I played an opportunistic thief who gets famous off the back of someone else’s hard work… I thank the producers for casting me – this role was a joy to sink my teeth into, and the experience reminded me of how much I love acting — it had been a minute since I’d been on set for The Boys. I’m grateful for the memories, and the story I got to step inside. But it is a shame that the hard work put in by so many talented people won’t likely see the light of day. (@amazonstudios ? Where you at?) This feels like a dangerous precedent that these massive companies are setting, first with HBO Max cancelling a 90 million dollar Batgirl movie and now with Netflix cancelling a 50 million dollar TV series after both had already been shot. The amount of work gone into something of this magnitude, only to be discarded like trash, has to be a symptom of corporate greed. We didn’t sign up to pour our hearts and souls into your tax write off! This series was set in the 90s, and it was a thrill to return to that decade, when Blockbuster reigned supreme.
Yesterday, news broke that Netflix cancelled Grendel, a show for which an entire season had already been shot and that didn’t get the chance to air. I feel for Matt Wagner, the creator of the Grendel comic, who was beyond excited to have the world that he has built over many years be shown on the screen, and whose weekly motivational emails to the team were a light to start every Monday with. I feel for Abubakr Ali, who was to be the first Arab Muslim superhero with this role, & who gave every ounce of himself day in & day out, physically, emotionally, mentally, and who was also THE MOST gracious and kind “number one” on any set I have ever been on. I feel for every crew member, who arrived on set well before I did, and stayed long after I’d left, for six months, in the cold and the rain and the dark of Vancouver winter, and who somehow, in their exhaustion, jumped up whenever needed, put the extra touch towards their craft, not just because it was their “job” but because they loved telling stories, and they were passionate about telling this one. I feel for the creative team who gave themselves to this project. For myself — I played an opportunistic thief who gets famous off the back of someone else’s hard work… I thank the producers for casting me – this role was a joy to sink my teeth into, and the experience reminded me of how much I love acting — it had been a minute since I’d been on set for The Boys. I’m grateful for the memories, and the story I got to step inside. But it is a shame that the hard work put in by so many talented people won’t likely see the light of day. (@amazonstudios ? Where you at?) This feels like a dangerous precedent that these massive companies are setting, first with HBO Max cancelling a 90 million dollar Batgirl movie and now with Netflix cancelling a 50 million dollar TV series after both had already been shot. The amount of work gone into something of this magnitude, only to be discarded like trash, has to be a symptom of corporate greed. We didn’t sign up to pour our hearts and souls into your tax write off! This series was set in the 90s, and it was a thrill to return to that decade, when Blockbuster reigned supreme.
Had the joy of scoring Torn Hearts for Blumhouse and Epix. Great horror gem, directed by @breagrant, starring @kateysagal , @abbyquinnya & @alexxislemire . Written by @rachkollercroft. Out today! @blumhousehorror @blumhouse @epix Also stoked I finally got to rock this beauty dress from TO’s @horsesatelier
Had the joy of scoring Torn Hearts for Blumhouse and Epix. Great horror gem, directed by @breagrant, starring @kateysagal , @abbyquinnya & @alexxislemire . Written by @rachkollercroft. Out today! @blumhousehorror @blumhouse @epix Also stoked I finally got to rock this beauty dress from TO’s @horsesatelier
Had the joy of scoring Torn Hearts for Blumhouse and Epix. Great horror gem, directed by @breagrant, starring @kateysagal , @abbyquinnya & @alexxislemire . Written by @rachkollercroft. Out today! @blumhousehorror @blumhouse @epix Also stoked I finally got to rock this beauty dress from TO’s @horsesatelier
Had the joy of scoring Torn Hearts for Blumhouse and Epix. Great horror gem, directed by @breagrant, starring @kateysagal , @abbyquinnya & @alexxislemire . Written by @rachkollercroft. Out today! @blumhousehorror @blumhouse @epix Also stoked I finally got to rock this beauty dress from TO’s @horsesatelier
I had the pleasure of scoring @blumhouse film Torn Hearts for director @breagrant , with a script by @rachkollercroft , starring the incredible @kateysagal , @abbyquinnya and @alexxislemire . I pushed the sound in a fresh direction with this one, building off of guitar, to keep it in the world of country music, but twisting and bending it many ways to capture the off kilter and unsettling ways of the story. I like to have flexibility with my rig as sometimes the best ideas come to you when your studio is also your bedroom. 🦑 Check out the trailer at @blumhouse !!
I had the pleasure of scoring @blumhouse film Torn Hearts for director @breagrant , with a script by @rachkollercroft , starring the incredible @kateysagal , @abbyquinnya and @alexxislemire . I pushed the sound in a fresh direction with this one, building off of guitar, to keep it in the world of country music, but twisting and bending it many ways to capture the off kilter and unsettling ways of the story. I like to have flexibility with my rig as sometimes the best ideas come to you when your studio is also your bedroom. 🦑 Check out the trailer at @blumhouse !!
I had the pleasure of scoring @blumhouse film Torn Hearts for director @breagrant , with a script by @rachkollercroft , starring the incredible @kateysagal , @abbyquinnya and @alexxislemire . I pushed the sound in a fresh direction with this one, building off of guitar, to keep it in the world of country music, but twisting and bending it many ways to capture the off kilter and unsettling ways of the story. I like to have flexibility with my rig as sometimes the best ideas come to you when your studio is also your bedroom. 🦑 Check out the trailer at @blumhouse !!
