After first playing her brother’s Strat, Amy got her first Fender in her teens. “I just played every day…It was all I wanted to do.” @fender
Amy photographed by Martin Thompson in 2003. 🤍
Amy photographed by Martin Thompson in 2003. 🤍
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Knott photographed Amy at the very beginning of her career.
‘She was just this beautiful-voiced girl. She was kind of shy. To me, it was just another artist or band that I was doing. But she was really special. It was one of those nice days, and we kind of dipped all over West London. There wasn’t an entourage behind us. It was just me and her with a few people around taking pictures. There wasn’t any sort of publicity there. So we just went around and took pictures. It was not a big deal. It was sort of magic’.
Phil Griffin photographed Amy in 2006 while working on the music videos for ‘You Know I’m No Good’, ‘Back to Black’, ‘Love Is a Losing Game’ and ‘Rehab’. 🖤
Phil Griffin photographed Amy in 2006 while working on the music videos for ‘You Know I’m No Good’, ‘Back to Black’, ‘Love Is a Losing Game’ and ‘Rehab’. 🖤
Amy performing ‘Mr Magic’ live in Berlin in 2004.
Amy performing ‘He Can Only Hold Her/Doo Wop’ live at Benicássim in 2007
Murdo Macleod’s beautiful photos of Amy taken in 2004. 🖤
Murdo Macleod’s beautiful photos of Amy taken in 2004. 🖤
Murdo Macleod’s beautiful photos of Amy taken in 2004. 🖤
Amy in 2007 speaking about her inspiration from 60s doo wop music. 🤍
Amy speaking to APTN in 2004 about her musical inspirations and influences . 🤍
Today, we celebrate 19 years since the release of the singles ‘In My Bed’ and ‘You Sent Me Flying’. Amy’s beautiful performance of ‘You Sent Me Flying’ live at SWR 3 New Pop Festival in 2004. 🖤
Amy photographed for the Sunday Telegraph Magazine in 2004. 🤍
