#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse color keys for the vertical train sequence – those shots were particularly great to test various lighting and graphic treatments as the surrounding billboards pass next to the characters. For those alt versions ´2001: A Space Odyssey’ was definitely a reference! #spiderversemovie #spiderverse #gwen #gwenstacy #peterparker #sonyanimation #2001aspaceodyssey #animationart #vizdev
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
#spidermanacrossthespiderverse – Last batch of colour keys from the ‘Vertical Train Sequence’ . That shot with all the spider people was both super fun and challenging to paint: the layout I initially was given only had a generic Spider-Man model duplicated many times. The rough poses and placements were there, but they didn’t have any character specificity. I was later given a big pdf with designs (mostly done by @kristaferanka I think) of all the characters the directors wanted to cast in this scene. They were so many! The cool thing is that I could decide where to place each of them in the image in order to get – in my opinion – the best composition possible for that key. Then it was just about finding a way to keep all those character readable and paint it the most efficiently possible, as time was running. Quite glad there was the T-Rex in the cast! Can’t remember though if it’s still there in the final shots… (For the shot with Miles falling toward the city, I copy-paste pieces and painted on top of one of @macksztaba ‘s massive Nueva York design painting) #spiderversemovie #spiderverse #spiderman #spidermantrex #trex #milesmorales #sonypicturesanimation
“Nah, imma do my own thing” – Miles VS Miguel – Vertical Train sequence – colour keys for #spidermanacrossthespiderverse Those keys were very fun to paint with all the FX explorations! Miles’ blue venom blast is mixing with Miguel’s red/orange energy to create a massive purple blast. #acrossthespiderverse #spiderverse #spiderversemovie #miguelohara #milesmorales #venomblast #sf #visualdevelopment #visdevart #sonypicturesanimation
“Nah, imma do my own thing” – Miles VS Miguel – Vertical Train sequence – colour keys for #spidermanacrossthespiderverse Those keys were very fun to paint with all the FX explorations! Miles’ blue venom blast is mixing with Miguel’s red/orange energy to create a massive purple blast. #acrossthespiderverse #spiderverse #spiderversemovie #miguelohara #milesmorales #venomblast #sf #visualdevelopment #visdevart #sonypicturesanimation
“Nah, imma do my own thing” – Miles VS Miguel – Vertical Train sequence – colour keys for #spidermanacrossthespiderverse Those keys were very fun to paint with all the FX explorations! Miles’ blue venom blast is mixing with Miguel’s red/orange energy to create a massive purple blast. #acrossthespiderverse #spiderverse #spiderversemovie #miguelohara #milesmorales #venomblast #sf #visualdevelopment #visdevart #sonypicturesanimation
“Nah, imma do my own thing” – Miles VS Miguel – Vertical Train sequence – colour keys for #spidermanacrossthespiderverse Those keys were very fun to paint with all the FX explorations! Miles’ blue venom blast is mixing with Miguel’s red/orange energy to create a massive purple blast. #acrossthespiderverse #spiderverse #spiderversemovie #miguelohara #milesmorales #venomblast #sf #visualdevelopment #visdevart #sonypicturesanimation
“Nah, imma do my own thing” – Miles VS Miguel – Vertical Train sequence – colour keys for #spidermanacrossthespiderverse Those keys were very fun to paint with all the FX explorations! Miles’ blue venom blast is mixing with Miguel’s red/orange energy to create a massive purple blast. #acrossthespiderverse #spiderverse #spiderversemovie #miguelohara #milesmorales #venomblast #sf #visualdevelopment #visdevart #sonypicturesanimation
“Nah, imma do my own thing” – Miles VS Miguel – Vertical Train sequence – colour keys for #spidermanacrossthespiderverse Those keys were very fun to paint with all the FX explorations! Miles’ blue venom blast is mixing with Miguel’s red/orange energy to create a massive purple blast. #acrossthespiderverse #spiderverse #spiderversemovie #miguelohara #milesmorales #venomblast #sf #visualdevelopment #visdevart #sonypicturesanimation
“Nah, imma do my own thing” – Miles VS Miguel – Vertical Train sequence – colour keys for #spidermanacrossthespiderverse Those keys were very fun to paint with all the FX explorations! Miles’ blue venom blast is mixing with Miguel’s red/orange energy to create a massive purple blast. #acrossthespiderverse #spiderverse #spiderversemovie #miguelohara #milesmorales #venomblast #sf #visualdevelopment #visdevart #sonypicturesanimation
