怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
怎麼表達對於楊德昌導演的崇拜？反反覆覆，我一直想不到對的用詞，感覺我再怎麼說都配不上他電影的偉大，一切是無法用言語表達的。「一一」，「恐怖份子」，「牯嶺街少年殺人事件」… 他的電影是多麼深深的影響著我。 感謝臺北市立美術館的邀請，讓我可以參加《一 ㄧ重構-楊德昌之夜》 2023/07/22 – 2023/10/22楊德昌導演回顧展在北美館舉行。現場搜集無數的手稿，以七個子題帶出楊導創作生涯的不同面向。另外還有首度曝光的重要文獻與影音檔案，包含未完成動畫長片手繪稿和尚未實踐的眾多計畫，讓電影迷可以靠近楊導獨特的電影世界。 韋納·赫佐格 導演曾說過：「楊導的作品有世代的氣息，從來不會變老」。透過展覽讓我們一起跨越時空，回顧台灣電影圈歷史性的重要時期。 服裝：二手 Christian Lacroix I find it very intimidating, if not clumsy, to put my appreciation of Edward Yang’s films into words – to try and express how deeply affected I am for days, if not weeks, after watching his work. It is a tough exercise to speak about something that you know in your guts to be outstandingly greater than you. The current exhibit at the Taipei Art Museum gathers the most intimate of his diaries, pictures, movie props, sketches and drawings – therefore not only paying tribute to Edward Yang, but also creating a space for fans of his and of Taiwanese New Wave to drink in bits and pieces of one of the greatest eras of Cinema. Werner Herzog put it beautifully: “his films are breathing, they do not age”. And how powerful it is, to bathe in such vibrant youth. Dress : second-hand vintage Christian Lacroix 🔻 @tfai_tw ♦️ @tfam_museum 🔺 @voguetaiwan #emptyTFAM #楊德昌之夜 #filmTFAI #VOGUETAIWAN #楊德昌 #edwardyang #一一重構楊德昌回顧展
夏天來了。陽光普照，我們放暑假。當別人正在經歷美妙的時刻時，也會創造美好的記憶。過幾年或幾個時代才能知道那些記憶留給我們多刻骨銘心的印象。記憶很嬌氣，閃爍，渺茫；剩下的是片斷的記憶，跟現實會有不同的真理。“日麗” 留給我很強烈的印象是因為 恰好這部電影捕捉那些支離破碎的記憶，甚至這記憶留給我們心中說不出的感受 角色的言詞和動作其實很平淡，可是“日麗” 會讓我們感受到 空虛，惆悵，哀悼，成長，希望，絕望 等人類多元又矛盾的心情。 角色綜合的感覺，就算很模糊， 讓我們很清楚感受到他們會經歷椎心刺骨的分離 即使結局充滿了悲情，這對父女的親情沒有衰減 我熱愛這部電影 It is summer time, one of those times when we feel and shape what will become unforgettable memories. The depth of the memories does not lie in the moments but in the feelings that we are left with, years if not decades after they happened. Souvenirs are fragile, vague, fuzzy, elliptic, they expose a different outline of a reality left incomplete in our minds. This is why Aftersun is a movie that shook me up so deeply, it captures the little bits and fragments of souvenirs, but most importantly the feelings associated to them. « I was never seeking to recreate other than in feeling » Charlotte Wells This movie does not articulate in words nor in gestures what is void, melancholy, mourning, coming out of age, absolute desperation, awakening of desire, but it expresses and makes us feel all these complex human emotions. All these contradictory feelings don’t make a lot of sense, yet we feel the ambiguity of what is going on and so there is space to bring in our own experiences, to feel differently than the person sitting next to us. Make no mistake, it is first and foremost a film about loss. But no matter how profound the loss, it never negates the love between our two protagonists – if anything, it magnifies it.
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夏天下檔了 這幾個月的陪伴：書*、衝浪板、武術課的道服、鏡頭、劇本、床、颱風 *這幾本書的共同點是什麼？ Summer summary : reading*, surfing, tricking, working (on set), working (on a scénario), resting, waiting for typhon * what do all these books have in common?
夏天下檔了 這幾個月的陪伴：書*、衝浪板、武術課的道服、鏡頭、劇本、床、颱風 *這幾本書的共同點是什麼？ Summer summary : reading*, surfing, tricking, working (on set), working (on a scénario), resting, waiting for typhon * what do all these books have in common?
夏天下檔了 這幾個月的陪伴：書*、衝浪板、武術課的道服、鏡頭、劇本、床、颱風 *這幾本書的共同點是什麼？ Summer summary : reading*, surfing, tricking, working (on set), working (on a scénario), resting, waiting for typhon * what do all these books have in common?
夏天下檔了 這幾個月的陪伴：書*、衝浪板、武術課的道服、鏡頭、劇本、床、颱風 *這幾本書的共同點是什麼？ Summer summary : reading*, surfing, tricking, working (on set), working (on a scénario), resting, waiting for typhon * what do all these books have in common?
