Hey Souzles! We went on holiday! Hope you’re all safe, sound, happy and having the most heavenly summer, all love in the world, Sebba ❤️
Hey Souzles! We went on holiday! Hope you’re all safe, sound, happy and having the most heavenly summer, all love in the world, Sebba ❤️
Hey Souzles! We went on holiday! Hope you’re all safe, sound, happy and having the most heavenly summer, all love in the world, Sebba ❤️
Hey Souzles! We went on holiday! Hope you’re all safe, sound, happy and having the most heavenly summer, all love in the world, Sebba ❤️
Souzles! I’m so excited to announce that the brilliant Tanya Burr will be playing the character of El Kellis (Kid’s Mum!) in a super exciting new project coming to the @offlineruniverse next month, based on my novel KID. Can’t wait to share more! For now, please welcome Tanya to The Piccadilly Circus Offliner Cell! HIC MANEBIMUS OPTIME! Love Seb X
SOUZLES!!! THE MOST EXCITING POST I HAVE EVER POSTED!!! INCOMING!!! I will be singing all of your favourite hits from THE GREAT AMERICAN SONGBOOK (Sinatra, Ella Fitzgerald, Louis Armstrong, Dean Martin, to name but a few!) LIVE in a Christmas Concert at the legendary Crazy Coqs ( @crazycoqs ) at Brasserie Zedel on the 15th of December this year! I mean it from the bottom of my heart when I say that singing these extraordinary songs for all of you has been a life long dream for me. We all love them. We all know them. And I can’t wait to finally sing them with you this Christmas! We’ll be doing two shows: 7:00pm and 9:15pm. 15th December. Tickets are on sale now through the Crazy Coqs Website! Link in Bio! Love you all so so so so much! Can’t wait to see you there! Sebba ❤️🥳❤️ (📸 @finn_constantine )
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
One summer, four years ago, I was invited by Phil Stevens to go to Lincolnshire for a week to join the company of his film Lapwing. I had read Laura Turner’s script and thought it was miraculously well written (not to mention miraculously well timed). When I got to Saltfleet I found two things. 1: some of the most beautiful and otherworldly scenery I had ever seen (let alone visited) in my life. The marshes were so flat and unspoilt and rugged and alien: I know the pictures above look like they were taken on Tatooine but I promise you that’s England, not a galaxy far far away. 2 (and most importantly): the smallest yet hardest working crew I have ever come across in my life. All the individuals I met were there for one reason: to support each other from dusk till dawn in order to get the thing made. No one’s position was too lofty and no one was too grand. Everyone got stuck in. We all carried cameras and lights and props and pack lunches and people! back and forth and back and forth across the marshes all day long, stopping now and again to shoot a scene before sitting down on a grassy bank to discuss the next one. Very often I felt I didn’t know when real life stopped and the film began, because of where we were and the way we were working. Being a part of the making of Lapwing reminded me that, at the end of the day, the only thing you need to be able to make a piece of art (or anything for that matter) is the energy to start and the determination to finish. It doesn’t matter how many people you’ve got helping you, it doesn’t matter how much money. I am really proud of the film and of being a small cog in its wheel. I found it inspiring to be a part of it and hope anyone who wants to make films is inspired by watching it. It really is amazing what people can achieve when they all share the same goal and they truly believe in what they’re doing. The Lapwing trailer is now available to watch! And it’s in Theatres and OD on 26th November 2021. @lapwingmovie
Dear Souzles, thank you from the bottom of my heart for all your birthday messages. I really don’t deserve the love and I feel a little embarrassed that you’ve all gone so out of your way to show it. I am more grateful for you all than I can ever possibly put into words and so I hope these pictures of me as a smiling fat baby will suffice for now. Onto the next chapter. As ever and forevermore: Lv SdS
Dear Souzles, thank you from the bottom of my heart for all your birthday messages. I really don’t deserve the love and I feel a little embarrassed that you’ve all gone so out of your way to show it. I am more grateful for you all than I can ever possibly put into words and so I hope these pictures of me as a smiling fat baby will suffice for now. Onto the next chapter. As ever and forevermore: Lv SdS
This is Rory, he’s an asshole. Last year I was asked to play a small part in a movie called Fair Play, written and directed by @chloe_domont , an extra-terrestrially talented human being. I did my bit in Belgrade during three crisp, cold weeks in February and they were some of the most heavenly of my life. The crew and cast whose ranks I briefly joined were not just supremely talented, they were kind and generous and funny too. And the movie — though the first that Chloe has ever made — is one of the finest pieces of cinema I’ve ever seen (and the critics seem to agree with me). @phoebedynevor and @aldenehrenreich are totally and utterly miraculous in the picture and the rest of the cast that I was lucky enough to share a few frames with are sublime beyond belief. If you haven’t already, you ought to see it on @netflix now. Lv 🎥 SdS 🍿
RRR: Recovery Road Reunion! @freeform you up? 😘 Missing the rest of the gang so much! Lv Bert, Wes and Maddie
Introducing Erhart Borkman! John Gabriel Borkman, Now On @_bridgetheatre until November 26th. I’d so love for you all to come and see me in my first ever play! Tix in Bio. Lv U Souzles ❤️
Guess who’s back… Two nights only — 11th & 18th May — at the legendary Phoenix Arts Club. Songs, stories, sexy special guests! Tickets on sale now in bio. I’ve missed you so, so much Souzles! Let’s get sprung! Lv SdS
Guess who’s back… Two nights only — 11th & 18th May — at the legendary Phoenix Arts Club. Songs, stories, sexy special guests! Tickets on sale now in bio. I’ve missed you so, so much Souzles! Let’s get sprung! Lv SdS
Santa is coming to town 🤪
Is there anywhere more beautiful in the world than London when the sun is shining? ☀️ I think it’s high time we did this again, don’t you Souzles? 😘 Lv SdS 🎙🎵🎹💐💕💕💃 Musical Director – James Doughty Bass – Alex Bramwell Drums – Nick Anderson Trumpet – Karen Straw Sax – Katie Wood Produced by Finn Constantine Directed by Nick Scott Sound Recorded & Mixed by Paul Hurt Live Sound & Lights by James Norris With Thanks to Peter Dunbar & The Phoenix Arts Club
Certainly feels electric from where I’m standing! Thank you to all the Souzles for coming out and being so supportive! John Gabriel Borkman is at The Bridge Theatre until November 26th. Lv U All! SdS Photo: Manuel Harlan Set Design: Anna Fleischle
