感謝 #金馬60 能夠參與金馬擔任遞獎大使簡直不可思議 整晚在台上，我多次捏捏我自己確認我眼前看到的都是真的。身為大影迷的我，彷彿多次飄回到了我讀書的時候的記憶。那時候的我每個週末都會跑到巴黎獨立電影街看亞洲電影。那時候的我，一定不敢相信，現在的我，竟然可以跟北野武，林青霞，張艾嘉，張震，李安等這麼多我崇拜的電影前輩在同一個地方，同一個時間，呼吸同一個空氣。 希望之後還是能有機會以不同的身分參與金馬，也期許自己能夠繼續演戲，繼續拍下去！ 照片金馬執委會 @goldenhorsefilmfestival提供 彩妝協力｜Vivi Makeup Studio @vvmmakeupstudio 髮型協力｜W Salon @w_plus_salon 造型協力｜wangliling @wangliling Thanks to the Golden Horse Film Awards, it was a great honor to be the ambassador of this sixty years anniversary. When I walked over to presenter Takeshi Kitano to give him the first Golden Horse Award of the evening, it felt suddenly very hazy in my mind. Wait, am I actually here, walking over to Takeshi Kitano whose ending smile in “Merry Christmas Mister Lawrence” has entranced me for years? Am I actually on stage with the same person who directed the beautiful “The Summer of Kikujiro” which also had the most amazing soundtrack of all time? It was quite intimidating standing next to icons who have made movies that have had such an impression on me, such as Brigitte Lin, Sylvia Chang, or Ang Lee. So many of these movies I discovered them when I was a teenager, when I spent my weekends in the movie street rue Champollion in Paris, binge-watching Asian movies, projecting myself in these stories which fascinated me. That teenager sprang back up that night and she didn’t loose a glimpse of it. I hope that I can keep on acting and be part of this storytelling world for a very long time.
感謝 #金馬60 能夠參與金馬擔任遞獎大使簡直不可思議 整晚在台上，我多次捏捏我自己確認我眼前看到的都是真的。身為大影迷的我，彷彿多次飄回到了我讀書的時候的記憶。那時候的我每個週末都會跑到巴黎獨立電影街看亞洲電影。那時候的我，一定不敢相信，現在的我，竟然可以跟北野武，林青霞，張艾嘉，張震，李安等這麼多我崇拜的電影前輩在同一個地方，同一個時間，呼吸同一個空氣。 希望之後還是能有機會以不同的身分參與金馬，也期許自己能夠繼續演戲，繼續拍下去！ 照片金馬執委會 @goldenhorsefilmfestival提供 彩妝協力｜Vivi Makeup Studio @vvmmakeupstudio 髮型協力｜W Salon @w_plus_salon 造型協力｜wangliling @wangliling Thanks to the Golden Horse Film Awards, it was a great honor to be the ambassador of this sixty years anniversary. When I walked over to presenter Takeshi Kitano to give him the first Golden Horse Award of the evening, it felt suddenly very hazy in my mind. Wait, am I actually here, walking over to Takeshi Kitano whose ending smile in “Merry Christmas Mister Lawrence” has entranced me for years? Am I actually on stage with the same person who directed the beautiful “The Summer of Kikujiro” which also had the most amazing soundtrack of all time? It was quite intimidating standing next to icons who have made movies that have had such an impression on me, such as Brigitte Lin, Sylvia Chang, or Ang Lee. So many of these movies I discovered them when I was a teenager, when I spent my weekends in the movie street rue Champollion in Paris, binge-watching Asian movies, projecting myself in these stories which fascinated me. That teenager sprang back up that night and she didn’t loose a glimpse of it. I hope that I can keep on acting and be part of this storytelling world for a very long time.
感謝 #金馬60 能夠參與金馬擔任遞獎大使簡直不可思議 整晚在台上，我多次捏捏我自己確認我眼前看到的都是真的。身為大影迷的我，彷彿多次飄回到了我讀書的時候的記憶。那時候的我每個週末都會跑到巴黎獨立電影街看亞洲電影。那時候的我，一定不敢相信，現在的我，竟然可以跟北野武，林青霞，張艾嘉，張震，李安等這麼多我崇拜的電影前輩在同一個地方，同一個時間，呼吸同一個空氣。 希望之後還是能有機會以不同的身分參與金馬，也期許自己能夠繼續演戲，繼續拍下去！ 照片金馬執委會 @goldenhorsefilmfestival提供 彩妝協力｜Vivi Makeup Studio @vvmmakeupstudio 髮型協力｜W Salon @w_plus_salon 造型協力｜wangliling @wangliling Thanks to the Golden Horse Film Awards, it was a great honor to be the ambassador of this sixty years anniversary. When I walked over to presenter Takeshi Kitano to give him the first Golden Horse Award of the evening, it felt suddenly very hazy in my mind. Wait, am I actually here, walking over to Takeshi Kitano whose ending smile in “Merry Christmas Mister Lawrence” has entranced me for years? Am I actually on stage with the same person who directed the beautiful “The Summer of Kikujiro” which also had the most amazing soundtrack of all time? It was quite intimidating standing next to icons who have made movies that have had such an impression on me, such as Brigitte Lin, Sylvia Chang, or Ang Lee. So many of these movies I discovered them when I was a teenager, when I spent my weekends in the movie street rue Champollion in Paris, binge-watching Asian movies, projecting myself in these stories which fascinated me. That teenager sprang back up that night and she didn’t loose a glimpse of it. I hope that I can keep on acting and be part of this storytelling world for a very long time.
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
🪐✨💫 感謝 DIOR x ELLE 攝影：Kuo Huan Kao 妝髮：Sunny Hsu 平面執行：Louise @dior @elletaiwan
聖誕節送禮物期間開始了 Presents season started 🎄 @dior #diorcruise now available on Dior.com
聖誕節送禮物期間開始了 Presents season started 🎄 @dior #diorcruise now available on Dior.com
聖誕節送禮物期間開始了 Presents season started 🎄 @dior #diorcruise now available on Dior.com
Dreamcatcher 🌸 補夢中
2023 👀
2023 👀
2023 👀
2023 👀
2023 👀
2023 👀
2023 👀
2023 👀
重新看了經典電影「莎蓮與茱莉浪遊記」之後，我再次被這個故事的美好友誼迷住。對茱莉和莎蓮來說，到處都有歡樂、魔法與激發彼此想像力的事情。 原本不相識的兩個女孩，在一個空蕩蕩的夏天巴黎街頭偶然間相遇，而發現彼此之間很有默契，很快就塑造自己旖旎的環境。在她們相遇後不久，他們進入了一個處於平行時空的奇幻「鬼屋」。裡面有位不友善的霸氣父親、為了爭寵得到這位父親的愛而不停地競爭的兩位女性，和臨死的小女孩。 一邊有兩位充滿敵意的女人在競爭，另一邊是兩位女主角的緊密友誼，這兩組角色的差異，可以看出莎蓮和茱莉有多麼討厭塑料情感和父權社會。 整部電影描述相當可貴的女性友誼。想當然地每一場畫面都通過貝克得爾測驗 Rewatching « Celine and Julie go boating » (or Phantom Ladies over Paris) is always a good idea when you feel like getting a shot of fantasy, freedom and wilderness. The writers, who also play the lead roles, spent one summer writing and shooting a film that ambitioned to portray all the female characters of Cinema. The story is about Julie and Celine, who after an accidental encounter (a book, a boa scarf, and the opening of Alice in Wonderland) become immediately friends. Then begins a beautiful friendship led by joy, playfulness, magic and imagination. When Celine and Julie enter ‘the other house’ located 7bis rue du Nadir aux Pommes, they stumble into a haunted house in which two swooning women are vying for the attention of a widowed patriarch. Celine and Julie are viewers of the creaky melodrama happening before them, they are highly vocal about it and don’t hide when mocking it. What is highlighted, in this parable of movie-watching, is the vain foolishness between the two women that stands out even more when mirrored with Celine and Julie’s joyful closeness. In ‘the other house’, Celine and Julie face the world they have left : a patriarchal world ruled by rivalry between women and classe-dominance. Celine and Julie, through their naivety and sorority, claim loud and clear women emancipation and their refusal of (if not fight against) stereotypes. Noticeable ‘detail’ : every scene passes the Bechdel test. Let me say it again : watching Celine and Julie go boating, is always a good idea.
