Sonata No. 01, Adagio Nocturno en Re menor 200 x 200 cm Oil on canvas 2024 @zonamaco 2024 BOOTH B106 (Feb 7-11) @galeriahilariogalguera
Sonata No. 01, Adagio Nocturno en Re menor 200 x 200 cm Oil on canvas 2024 @zonamaco 2024 BOOTH B106 (Feb 7-11) @galeriahilariogalguera
Sonata No. 01, Adagio Nocturno en Re menor 200 x 200 cm Oil on canvas 2024 @zonamaco 2024 BOOTH B106 (Feb 7-11) @galeriahilariogalguera
Polyphony (QUO VADIS) (Two channel video installation) 75” screens, [167h x 96w x 15d cm each] 2023 This video installation was part of my solo show PRELUDIO at @galeriahilariogalguera (April 20 – July 28, 2023) #gabrieloshea#videoart#galeriahilariogalguera#preludio
Sonata No. 01, Adagio Nocturno.
2023 recap
2023 recap
2023 recap
2023 recap
2023 recap
2023 recap
2023 recap
2023 recap
2023 recap
Some pieces in my studio a few months ago… – #gabrieloshea#oilpainting#artstudio#figurativeart#figurativepainting#figurativepaintings#expressiveart#darkart#artatelier#estudiodearte
Gods in Decline, Machines in Ascendance Oil on canvas 70h x 80w cm 2023 This painting was part of my solo show PRELUDIO at @galeriahilariogalguera (April 20 – July 28, 2023) www.gabrieloshea.com – #gabrieloshea#figurativepainting#pinturafigurativa#galeriahilariogalguera#darkpainting
MUTTER ICH BIN DUMM (II) 90 x 55 cm Acrylic on frosted glass with welded steel frame – On the morning of January 3, 1889, F. Nietzsche left his house in Turin to go to the center of the city. On his way he witnessed a scene that caught his attention: a coachman mistreating his horse, which, very tired, did not want to continue the march. Nietzsche threw his arms around the horse’s neck and burst into tears. His last words before he fell unconscious were: “Mother, I am a fool” (“Mutter ich bin dumm”). After this he stopped speaking for the last years of his life… – #gabrieloshea #nietzsche#contemporaryart#galeriahilariogalguera
MUTTER ICH BIN DUMM (II) 90 x 55 cm Acrylic on frosted glass with welded steel frame – On the morning of January 3, 1889, F. Nietzsche left his house in Turin to go to the center of the city. On his way he witnessed a scene that caught his attention: a coachman mistreating his horse, which, very tired, did not want to continue the march. Nietzsche threw his arms around the horse’s neck and burst into tears. His last words before he fell unconscious were: “Mother, I am a fool” (“Mutter ich bin dumm”). After this he stopped speaking for the last years of his life… – #gabrieloshea #nietzsche#contemporaryart#galeriahilariogalguera
Tan Poco (18th century painting hanging with rusted chains on metal frame) 180h x 70w x 70d cm 2022 4: ¨Tampoco¨ Francisco De Goya, from the series of plates ¨Desastres de la guerra¨ (1810-1815).l The title of this engraving was originally handwritten by Goya as ¨Tan poco¨, although no copies are preserved with that title since it was later modified by erasing the n and writing an m that remains in the definitive title… #franciscodegoya#gabrieloshea#galeriahilariogalguera @galeriahilariogalguera
Tan Poco (18th century painting hanging with rusted chains on metal frame) 180h x 70w x 70d cm 2022 4: ¨Tampoco¨ Francisco De Goya, from the series of plates ¨Desastres de la guerra¨ (1810-1815).l The title of this engraving was originally handwritten by Goya as ¨Tan poco¨, although no copies are preserved with that title since it was later modified by erasing the n and writing an m that remains in the definitive title… #franciscodegoya#gabrieloshea#galeriahilariogalguera @galeriahilariogalguera
Tan Poco (18th century painting hanging with rusted chains on metal frame) 180h x 70w x 70d cm 2022 4: ¨Tampoco¨ Francisco De Goya, from the series of plates ¨Desastres de la guerra¨ (1810-1815).l The title of this engraving was originally handwritten by Goya as ¨Tan poco¨, although no copies are preserved with that title since it was later modified by erasing the n and writing an m that remains in the definitive title… #franciscodegoya#gabrieloshea#galeriahilariogalguera @galeriahilariogalguera
Tan Poco (18th century painting hanging with rusted chains on metal frame) 180h x 70w x 70d cm 2022 4: ¨Tampoco¨ Francisco De Goya, from the series of plates ¨Desastres de la guerra¨ (1810-1815).l The title of this engraving was originally handwritten by Goya as ¨Tan poco¨, although no copies are preserved with that title since it was later modified by erasing the n and writing an m that remains in the definitive title… #franciscodegoya#gabrieloshea#galeriahilariogalguera @galeriahilariogalguera
