Home Actress Maria Grazia Chiuri HD Instagram Photos and Wallpapers April 2024 Maria Grazia Chiuri Instagram - Get ready for the #DiorFall24 show, live from New York today at 8pm EDT on Instagram. In the meantime, @MariaGraziaChiuri keeps the anticipatory momentum going with a visit to Centrale Montemartini in Rome where she discovers the sculptures that influenced the Rome-based, American-born feminist artist Suzanne Santoro. A special thanks to @IFExperience © Centrale Montemartini Photo: @LauraSciacovelli

Maria Grazia Chiuri Instagram – Get ready for the #DiorFall24 show, live from New York today at 8pm EDT on Instagram. In the meantime, @MariaGraziaChiuri keeps the anticipatory momentum going with a visit to Centrale Montemartini in Rome where she discovers the sculptures that influenced the Rome-based, American-born feminist artist Suzanne Santoro. A special thanks to @IFExperience © Centrale Montemartini Photo: @LauraSciacovelli

Maria Grazia Chiuri Instagram - Get ready for the #DiorFall24 show, live from New York today at 8pm EDT on Instagram. In the meantime, @MariaGraziaChiuri keeps the anticipatory momentum going with a visit to Centrale Montemartini in Rome where she discovers the sculptures that influenced the Rome-based, American-born feminist artist Suzanne Santoro. A special thanks to @IFExperience © Centrale Montemartini Photo: @LauraSciacovelli

Maria Grazia Chiuri Instagram – Get ready for the #DiorFall24 show, live from New York today at 8pm EDT on Instagram. In the meantime, @MariaGraziaChiuri keeps the anticipatory momentum going with a visit to Centrale Montemartini in Rome where she discovers the sculptures that influenced the Rome-based, American-born feminist artist Suzanne Santoro.
A special thanks to @IFExperience
© Centrale Montemartini
Photo: @LauraSciacovelli | Posted on 15/Apr/2024 18:52:27

Maria Grazia Chiuri Instagram – Suzanne Santoro was born in Brooklyn and she came to Rome in the mid-1960s, following Mark Rothko and his family and then settled there permanently in 1971, completely fascinated by the Eternal City and Mediterranean culture. Between the 1960s and 1970s, her artistic production was intertwined with political activism, and Suzanne’s work was initially linked to the demands of the Roman feminist group Rivolta Femminile, founded in July 1970 by art critic and philosopher Carla Lonzi, artist Carla Accardi and political journalist Elvira Banotti. Suzanne Santoro’s artistic production translates into visual language the historical and personal need to respond to the ideological automatisms of contemporary narratives, with which the subordinate position of female subjectivity is established and maintained. I am happy to return to Brooklyn to celebrate this incredible artist whose life has been devoted to feminism and feminist art. Dior’s Fall Winter 2024 show at the @BrooklynMuseum is dedicated to Suzanne, paying homage to her work. Slide 1:Photo Pietro Consagra. Rome, Pietro Consagra Studio, meeting of Rivolta Femminile, from the right Suzanne Santoro, Carla Lonzi, Carla Accardi, Marta Lonzi, 1971. On background Consagra sculpture: “Giardino bianco”, painted iron, 1966. Courtesy Archivio Pietro Consagra Milan. Slide 2: From the right: Eva Menzio, Suzanne Santoro, and Edith Schloss at the house of Eva Menzio after the opening of the exhibition Un Quadro di Artemisia Gentileschi, Rome, 1976. Courtesy Suzanne Santoro and Archivia.
Maria Grazia Chiuri Instagram – In occasion of the @Dior Fall Winter 2024 show held at the @BrooklynMuseum, Suzanne Santoro has presented a site specific installation titled “I Thought Art Was for Women”, the readaptation of an artwork first seen in Rome in 1976. This work is a slideshow of photographs taken by the artist during her early years in Rome. It is connected to the research she began in the late 1960s on the origins of Western painting and sculpture through a series of images ranging from stains on Rome’s walls to classical Roman sculptures, understood as traces and evidence of the passage of time. Santoro’s research is an attempt to trace the archaic origin of images and interpretations of the female figure in order to provide a new perspective. The second installation features a series of recent drawings and Black Mirrors taken from the artist’s collection. I am very happy to give guests and museum visitors the opportunity to view the artist’s works in real life at the entrance of the showspace. Images from “I Thought Art Was for Women”, 1976-2024, video projection, variable dimension. Courtesy Suzanne Santoro

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