SOUND CHECK!! APPLE Covent Garden!!!! See you all at 8pm!!!! They’ve closed the whole store for us!!! SELF ESTEEM – BIG MAN ERA BEGINS!!!❤️🔥❤️🔥❤️🔥❤️🔥❤️🔥❤️🔥 @selfesteemselfesteem x @talkart x @apple 🎧 This special episode will air next week on the podcast
SOUND CHECK!! APPLE Covent Garden!!!! See you all at 8pm!!!! They’ve closed the whole store for us!!! SELF ESTEEM – BIG MAN ERA BEGINS!!!❤️🔥❤️🔥❤️🔥❤️🔥❤️🔥❤️🔥 @selfesteemselfesteem x @talkart x @apple 🎧 This special episode will air next week on the podcast
SOUND CHECK!! APPLE Covent Garden!!!! See you all at 8pm!!!! They’ve closed the whole store for us!!! SELF ESTEEM – BIG MAN ERA BEGINS!!!❤️🔥❤️🔥❤️🔥❤️🔥❤️🔥❤️🔥 @selfesteemselfesteem x @talkart x @apple 🎧 This special episode will air next week on the podcast
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
🎨✨ New @TalkArt! We meet artist JACK PIERSON @jackpierson9 to explore his new solo show at Lisson Gallery. For his first exhibition in London in over 20 years, New York-based artist #JackPierson presents a new series of works that explore our experiences of love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive. A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson’s meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole. 🔗 Follow @JackPierson9 Visit his solo show at Lisson Gallery until 3rd August 2024, free entry. Thanks to his galleries @Lisson_Gallery and @ThaddaeusRopac.
Basel Basel, so good they named it twice @fondationbeyeler (@tardis235)
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
Season 22 begins! 🎨✨ New @TalkArt! We meet artist Nathanaëlle Herbelin @NathanaelleHerbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism), the artist brings their favorite subjects, daily life, domestic interiors and intimacy, up-to-date in resolutely contemporary compositions. The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique. 🔗 Follow @NathanaelleHerbelin and visit the exhibition until 30th June 2024 in Paris @MuseeOrsay ❤️🔥 Big thank you’s to the exhibition’s curator @GausserandNicolas and to her galleries @XavierHufkens and @GalerieJousseEntreprise 🎨🇫🇷 We love her paintings and think you will too #NathanaelleHerbelin
