This Sunday 5th May at the Queen Elizabeth Hall @southbankcentre @manchestercollective and @sansarachoir will premiere my new piece ‘No. 9’, inspired by Rothko’s painting, “White and Black on Wine”. Very grateful to Manchester Collective @rakhisinghmusic for this commission, and to work with these amazing musicians, to hear my piece brought to life so vividly. Scroll for future performances tour dates. Alongside Morton Feldman’s ‘Rothko Chapel’, the programme also holds new works by @edmundfinnis and @katiecomposes
This Sunday 5th May at the Queen Elizabeth Hall @southbankcentre @manchestercollective and @sansarachoir will premiere my new piece ‘No. 9’, inspired by Rothko’s painting, “White and Black on Wine”. Very grateful to Manchester Collective @rakhisinghmusic for this commission, and to work with these amazing musicians, to hear my piece brought to life so vividly. Scroll for future performances tour dates. Alongside Morton Feldman’s ‘Rothko Chapel’, the programme also holds new works by @edmundfinnis and @katiecomposes
I’m thrilled to be a part of Classical Pride this year, a festival showcasing the breadth and diversity of queer artists across classical music! My new work, titled ‘I Let Go’, commissioned by the festival, is set to a text written by a refugee relocated by Classical Pride’s charity partner, Rainbow Railroad. Hear it on Friday 5 July at the @barbicancentre , tickets on sale now #ClassicalPride @rainbowrailroad
I couldn’t be more proud of this 🌹 #ROAR is out on @appletvplus now! Each episode is a world, and I loved every second of seeing this series unfold – from reading the scripts, to initial music concept conversations with Liz and Carly, to seeing the first cuts, sketching ideas, and right through to putting the final touches on the scores for each episode. Thank you to @lakeshorerecords for releasing this OST 🌹 When I read Liz and Carly’s scripts I was instantly enthralled. The surrealist lens of the stories gives access to the rich, complex and joyful range of female identity. It’s not often you get to score that landscape in one series. I loved being able to embrace the scope of the protagonists in my music. I found there was a catharsis in scoring Roar. Liz and Carly are phenomenal creators and story tellers – it was an honour to work with them. Thank you to Tess and Virgil @endeavorcontent 🌹 Music teams are so important and integral to the process. Huge shout out to my amazing #Roar team: Music Editor 👑 @thequeenkwong Lindsay Wright @lndsywrght and Veronika Hanl @veronikahanlmusic for additional music. Thank you also to @julipoto for such beautiful vocals and @annaphoebemusic for stunning violin sounds 🌹 And as ever, to JP for helping steer this ship so amazingly🌹And to Bradley who is the G.
something new coming 🪷
something new coming 🪷
🎠 Photo by @chadmclean.co
One of the highlights of last year was being approached by Elize de Toit to score her arresting film about witch hunting in 18thC Scotland. Focusing on Lilias Adie, who was accused of practicing witchcraft and fornicating with the devil but died in prison before sentence could be passed. In Adie’s confession she described the devil as having “cold pale skin and cloven-hoofed feet like a cow”. Just this year, there have been growing calls for a legal pardon for the thousands of people persecuted as witches in post-Reformation Scotland, as a drive for posthumous justice. I was honoured to score this film, directed by Elize de Toit Lilias Adie is available to watch on MUBI
One of the highlights of last year was being approached by Elize de Toit to score her arresting film about witch hunting in 18thC Scotland. Focusing on Lilias Adie, who was accused of practicing witchcraft and fornicating with the devil but died in prison before sentence could be passed. In Adie’s confession she described the devil as having “cold pale skin and cloven-hoofed feet like a cow”. Just this year, there have been growing calls for a legal pardon for the thousands of people persecuted as witches in post-Reformation Scotland, as a drive for posthumous justice. I was honoured to score this film, directed by Elize de Toit Lilias Adie is available to watch on MUBI
One of the highlights of last year was being approached by Elize de Toit to score her arresting film about witch hunting in 18thC Scotland. Focusing on Lilias Adie, who was accused of practicing witchcraft and fornicating with the devil but died in prison before sentence could be passed. In Adie’s confession she described the devil as having “cold pale skin and cloven-hoofed feet like a cow”. Just this year, there have been growing calls for a legal pardon for the thousands of people persecuted as witches in post-Reformation Scotland, as a drive for posthumous justice. I was honoured to score this film, directed by Elize de Toit Lilias Adie is available to watch on MUBI
Thank you @helsinkiphilharmonic #pekkakuusisto ❄️
Thank you @helsinkiphilharmonic #pekkakuusisto ❄️
It’s an honour to be part of @earthpercent’s Earth Day Campaign. ‘Elizabeth’ is available to download now 🤍 I’m so happy to join over 100 artists who have contributed a combination of new, unheard, exclusive and archival tracks which you can purchase via the EarthPercent Bandcamp page. Head to the EarthPercent Bandcamp page and help support this important cause. All proceeds go to the charity’s Grantmaking Fund, which supports organisations doing vital work to help tackle the climate emergency. #EarthPercentEarthDay #NOMUSICONADEADPLANET Artwork by @raissa_pardini
I had a great time talking with Alon Levitan @lakeshorerecords about scoring #Roar for @appletvplus Thank you for having me @lakeshorerecords! 🌞
Due to unforeseen circumstances, I will be rescheduling my Purcell Room show at the Southbank Centre to February 5th 2023. I’m so excited to perform new material and ideas in such an amazing space and to be part of this great series of gigs that have happened at the Purcell in recent months. All ticket purchases will remain valid for Feb 5th, and I hope those who have bought tickets can still make it for then 🌸 Refunds are also available from the SBC website Thank you, and all my love 🌹
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@isobelwb’s new piece brings the drama. 1 of 4 pieces inspired by Rothko’s colossal abstract paintings that we’re playing on tour from tomorrow 🖼️ Hear it at our show Rothko Chapel with the full glory of our bespoke lighting behind us. DATES 05.05 London @southbankcentre 07.05 Leverkusen @erholungshaus 08.05 Antwerp @desingelartscentre 10.05 Manchester @bridgewaterhall #contemporaryclassical #isobelwallerbridge #chambermusic #modernart #rothkochapel #rothko
Scoring this series was a triiip. #Roar is coming to @AppleTVPlus on April 15. Based on the 2018 surrealist short story collection of the same name by Cecelia Ahern So much love and respect to showrunners, creators, and writers extraordinaire Liz Flahive and Carly Mensch
This was ages ago 🌒
Thank you Pekka and the @helsinkiphilharmonic for giving Temperatures another outing this March (!) 🤍❄️ 25th March 2022, Helsinki
Thank you Pekka and the @helsinkiphilharmonic for giving Temperatures another outing this March (!) 🤍❄️ 25th March 2022, Helsinki
Thank you Pekka and the @helsinkiphilharmonic for giving Temperatures another outing this March (!) 🤍❄️ 25th March 2022, Helsinki
SALT OF THE EARTH film, live performance and live music premieres at @venice.art.biennale September 2024 Directed by Sophie Hunter @sophieirenehunter Text by Megan Hunter Movement by @imogen__knight__moves__ Music by Isobel Waller-Bridge Sound design by Pete Rice Photos by @imogen__knight__moves__
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