“When I needed soul revival I called your name…” This rather tasty portrait was taken by Greg Gorman during the Never Let Me Down cover shoot in 1987. #RandomBowie #BowieNLMD #BowieGregGorman
“When I needed soul revival I called your name…” This rather tasty portrait was taken by Greg Gorman during the Never Let Me Down cover shoot in 1987. #RandomBowie #BowieNLMD #BowieGregGorman
DAVID BOWIE GLAMOUR FANZINE #11 EXCLUSIVE REVEAL “Now Halloween Jack is a real cool cat…” The folks at David Bowie Glamour Fanzine have been in touch to tell us that Issue Eleven is now available for pre-order. The 90-page publication boasts another delicious Helen Green cover illustration, this time it’s based on Bowie as Halloween Jack during The Year Of The Diamond Dogs Tour from fifty years ago. The cover image will also be included as a free print. This issue includes contributions from the following, among others… Richard Jobson Holly Johnson KillerStar Peter Noone Ken Scott Sukita Gray Taylor Jeremy Vine Mark Wardel Meanwhile, enjoy these teaser spreads for a small sample of what you can expect from David Bowie Glamour Fanzine Issue Eleven and pre-order your copy here: https://davidbowieglamour.wordpress.com/latest/ (Linktree in bio) #DavidBowieGlamourFanzine
DAVID BOWIE GLAMOUR FANZINE #11 EXCLUSIVE REVEAL “Now Halloween Jack is a real cool cat…” The folks at David Bowie Glamour Fanzine have been in touch to tell us that Issue Eleven is now available for pre-order. The 90-page publication boasts another delicious Helen Green cover illustration, this time it’s based on Bowie as Halloween Jack during The Year Of The Diamond Dogs Tour from fifty years ago. The cover image will also be included as a free print. This issue includes contributions from the following, among others… Richard Jobson Holly Johnson KillerStar Peter Noone Ken Scott Sukita Gray Taylor Jeremy Vine Mark Wardel Meanwhile, enjoy these teaser spreads for a small sample of what you can expect from David Bowie Glamour Fanzine Issue Eleven and pre-order your copy here: https://davidbowieglamour.wordpress.com/latest/ (Linktree in bio) #DavidBowieGlamourFanzine
DAVID BOWIE GLAMOUR FANZINE #11 EXCLUSIVE REVEAL “Now Halloween Jack is a real cool cat…” The folks at David Bowie Glamour Fanzine have been in touch to tell us that Issue Eleven is now available for pre-order. The 90-page publication boasts another delicious Helen Green cover illustration, this time it’s based on Bowie as Halloween Jack during The Year Of The Diamond Dogs Tour from fifty years ago. The cover image will also be included as a free print. This issue includes contributions from the following, among others… Richard Jobson Holly Johnson KillerStar Peter Noone Ken Scott Sukita Gray Taylor Jeremy Vine Mark Wardel Meanwhile, enjoy these teaser spreads for a small sample of what you can expect from David Bowie Glamour Fanzine Issue Eleven and pre-order your copy here: https://davidbowieglamour.wordpress.com/latest/ (Linktree in bio) #DavidBowieGlamourFanzine
DAVID BOWIE GLAMOUR FANZINE #11 EXCLUSIVE REVEAL “Now Halloween Jack is a real cool cat…” The folks at David Bowie Glamour Fanzine have been in touch to tell us that Issue Eleven is now available for pre-order. The 90-page publication boasts another delicious Helen Green cover illustration, this time it’s based on Bowie as Halloween Jack during The Year Of The Diamond Dogs Tour from fifty years ago. The cover image will also be included as a free print. This issue includes contributions from the following, among others… Richard Jobson Holly Johnson KillerStar Peter Noone Ken Scott Sukita Gray Taylor Jeremy Vine Mark Wardel Meanwhile, enjoy these teaser spreads for a small sample of what you can expect from David Bowie Glamour Fanzine Issue Eleven and pre-order your copy here: https://davidbowieglamour.wordpress.com/latest/ (Linktree in bio) #DavidBowieGlamourFanzine
DAVID BOWIE GLAMOUR FANZINE #11 EXCLUSIVE REVEAL “Now Halloween Jack is a real cool cat…” The folks at David Bowie Glamour Fanzine have been in touch to tell us that Issue Eleven is now available for pre-order. The 90-page publication boasts another delicious Helen Green cover illustration, this time it’s based on Bowie as Halloween Jack during The Year Of The Diamond Dogs Tour from fifty years ago. The cover image will also be included as a free print. This issue includes contributions from the following, among others… Richard Jobson Holly Johnson KillerStar Peter Noone Ken Scott Sukita Gray Taylor Jeremy Vine Mark Wardel Meanwhile, enjoy these teaser spreads for a small sample of what you can expect from David Bowie Glamour Fanzine Issue Eleven and pre-order your copy here: https://davidbowieglamour.wordpress.com/latest/ (Linktree in bio) #DavidBowieGlamourFanzine
DAVID BOWIE GLAMOUR FANZINE #11 EXCLUSIVE REVEAL “Now Halloween Jack is a real cool cat…” The folks at David Bowie Glamour Fanzine have been in touch to tell us that Issue Eleven is now available for pre-order. The 90-page publication boasts another delicious Helen Green cover illustration, this time it’s based on Bowie as Halloween Jack during The Year Of The Diamond Dogs Tour from fifty years ago. The cover image will also be included as a free print. This issue includes contributions from the following, among others… Richard Jobson Holly Johnson KillerStar Peter Noone Ken Scott Sukita Gray Taylor Jeremy Vine Mark Wardel Meanwhile, enjoy these teaser spreads for a small sample of what you can expect from David Bowie Glamour Fanzine Issue Eleven and pre-order your copy here: https://davidbowieglamour.wordpress.com/latest/ (Linktree in bio) #DavidBowieGlamourFanzine
DAVID BOWIE GLAMOUR FANZINE #11 EXCLUSIVE REVEAL “Now Halloween Jack is a real cool cat…” The folks at David Bowie Glamour Fanzine have been in touch to tell us that Issue Eleven is now available for pre-order. The 90-page publication boasts another delicious Helen Green cover illustration, this time it’s based on Bowie as Halloween Jack during The Year Of The Diamond Dogs Tour from fifty years ago. The cover image will also be included as a free print. This issue includes contributions from the following, among others… Richard Jobson Holly Johnson KillerStar Peter Noone Ken Scott Sukita Gray Taylor Jeremy Vine Mark Wardel Meanwhile, enjoy these teaser spreads for a small sample of what you can expect from David Bowie Glamour Fanzine Issue Eleven and pre-order your copy here: https://davidbowieglamour.wordpress.com/latest/ (Linktree in bio) #DavidBowieGlamourFanzine
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #250 – BOWIE’S ARTWORKS “I was an artiste…” Though he had been creating art forever, David Bowie never really shared anything with the world at large until the 1990s. Though some of his work had been reproduced in tour programmes and various European magazines in the 1970s (See BOWIE THING – #224 – V&A’S DAVID BOWIE IS EXHIBITION IN BERLIN), his first solo exhibition (NEW AFRO/PAGAN AND WORK 1975-1995) didn’t take place until April 1995. Aside from NEW AFRO/PAGAN AND WORK 1975-1995, the images here are teasers of some of the 1990s shows which featured his work. Did you attend any and do you own any of the many signed prints that were made available? Or perhaps you even coughed up the cash for an original? We’ll focus on some of the shows mentioned in these images soon. 📸 Fergus Greer / Richard Young / Dave Benett / Guglielmo Galvin #DailyBowieThing #BowieArtExhibitions #BowieTheArtist
BOWIE THING – #249 – LIFETIMES PROMO COMPILATION ALBUM “But such a life I’ve never known…” Over the years there have been many unique Bowie promotional compilations released on vinyl and CD in comparatively small quantities. They were usually issued to retailers, radio, and journalists to highlight a current campaign and were sometimes accompanied by a press kit. An early example is the 1973 Japanese Rock And Roll Now vinyl LP and press kit promoting Bowie’s first live appearances in the country and compiled from the five RCA albums available at that point. For obvious reasons, these releases command high prices, which is why some have also been a target for counterfeiters. Where we are aware of such things, we’ll point them out. The Lifetimes campaign of June 1983 was a two-pronged affair by RCA in the UK, aimed at the Bowie back catalogue of albums and singles just in time for Bowie’s summer Serious Moonlight tour dates in the UK. The album campaign featured all the RCA titles (aside from Stage), including the three compilations Changes One and Two and Bowie Rare. It was a lavish advertising campaign, with an artwork based on Greg Gorman’s 1982 photograph from a session also utilised by EMI for the Let’s Dance campaign. The numbered 15-track Lifetimes promo album was limited to 1,000 copies, see comments for the tracklisting. Aside from the album, completists should look out for associated paraphernalia, such as press adverts, hanging shop mobile, A4 glossy brochure, window sticker, A5 flyer and no doubt other bits we’ve forgotten about. We’ll focus on the 20 Lifetimes singles campaign another time, which also had associated collectables to consider. 📸 Greg Gorman 1982 #DailyBowieThing #BowieLifetimes #BowiePromoCompilation
BOWIE THING – #249 – LIFETIMES PROMO COMPILATION ALBUM “But such a life I’ve never known…” Over the years there have been many unique Bowie promotional compilations released on vinyl and CD in comparatively small quantities. They were usually issued to retailers, radio, and journalists to highlight a current campaign and were sometimes accompanied by a press kit. An early example is the 1973 Japanese Rock And Roll Now vinyl LP and press kit promoting Bowie’s first live appearances in the country and compiled from the five RCA albums available at that point. For obvious reasons, these releases command high prices, which is why some have also been a target for counterfeiters. Where we are aware of such things, we’ll point them out. The Lifetimes campaign of June 1983 was a two-pronged affair by RCA in the UK, aimed at the Bowie back catalogue of albums and singles just in time for Bowie’s summer Serious Moonlight tour dates in the UK. The album campaign featured all the RCA titles (aside from Stage), including the three compilations Changes One and Two and Bowie Rare. It was a lavish advertising campaign, with an artwork based on Greg Gorman’s 1982 photograph from a session also utilised by EMI for the Let’s Dance campaign. The numbered 15-track Lifetimes promo album was limited to 1,000 copies, see comments for the tracklisting. Aside from the album, completists should look out for associated paraphernalia, such as press adverts, hanging shop mobile, A4 glossy brochure, window sticker, A5 flyer and no doubt other bits we’ve forgotten about. We’ll focus on the 20 Lifetimes singles campaign another time, which also had associated collectables to consider. 📸 Greg Gorman 1982 #DailyBowieThing #BowieLifetimes #BowiePromoCompilation
BOWIE THING – #249 – LIFETIMES PROMO COMPILATION ALBUM “But such a life I’ve never known…” Over the years there have been many unique Bowie promotional compilations released on vinyl and CD in comparatively small quantities. They were usually issued to retailers, radio, and journalists to highlight a current campaign and were sometimes accompanied by a press kit. An early example is the 1973 Japanese Rock And Roll Now vinyl LP and press kit promoting Bowie’s first live appearances in the country and compiled from the five RCA albums available at that point. For obvious reasons, these releases command high prices, which is why some have also been a target for counterfeiters. Where we are aware of such things, we’ll point them out. The Lifetimes campaign of June 1983 was a two-pronged affair by RCA in the UK, aimed at the Bowie back catalogue of albums and singles just in time for Bowie’s summer Serious Moonlight tour dates in the UK. The album campaign featured all the RCA titles (aside from Stage), including the three compilations Changes One and Two and Bowie Rare. It was a lavish advertising campaign, with an artwork based on Greg Gorman’s 1982 photograph from a session also utilised by EMI for the Let’s Dance campaign. The numbered 15-track Lifetimes promo album was limited to 1,000 copies, see comments for the tracklisting. Aside from the album, completists should look out for associated paraphernalia, such as press adverts, hanging shop mobile, A4 glossy brochure, window sticker, A5 flyer and no doubt other bits we’ve forgotten about. We’ll focus on the 20 Lifetimes singles campaign another time, which also had associated collectables to consider. 📸 Greg Gorman 1982 #DailyBowieThing #BowieLifetimes #BowiePromoCompilation
BOWIE THING – #249 – LIFETIMES PROMO COMPILATION ALBUM “But such a life I’ve never known…” Over the years there have been many unique Bowie promotional compilations released on vinyl and CD in comparatively small quantities. They were usually issued to retailers, radio, and journalists to highlight a current campaign and were sometimes accompanied by a press kit. An early example is the 1973 Japanese Rock And Roll Now vinyl LP and press kit promoting Bowie’s first live appearances in the country and compiled from the five RCA albums available at that point. For obvious reasons, these releases command high prices, which is why some have also been a target for counterfeiters. Where we are aware of such things, we’ll point them out. The Lifetimes campaign of June 1983 was a two-pronged affair by RCA in the UK, aimed at the Bowie back catalogue of albums and singles just in time for Bowie’s summer Serious Moonlight tour dates in the UK. The album campaign featured all the RCA titles (aside from Stage), including the three compilations Changes One and Two and Bowie Rare. It was a lavish advertising campaign, with an artwork based on Greg Gorman’s 1982 photograph from a session also utilised by EMI for the Let’s Dance campaign. The numbered 15-track Lifetimes promo album was limited to 1,000 copies, see comments for the tracklisting. Aside from the album, completists should look out for associated paraphernalia, such as press adverts, hanging shop mobile, A4 glossy brochure, window sticker, A5 flyer and no doubt other bits we’ve forgotten about. We’ll focus on the 20 Lifetimes singles campaign another time, which also had associated collectables to consider. 📸 Greg Gorman 1982 #DailyBowieThing #BowieLifetimes #BowiePromoCompilation
BOWIE THING – #249 – LIFETIMES PROMO COMPILATION ALBUM “But such a life I’ve never known…” Over the years there have been many unique Bowie promotional compilations released on vinyl and CD in comparatively small quantities. They were usually issued to retailers, radio, and journalists to highlight a current campaign and were sometimes accompanied by a press kit. An early example is the 1973 Japanese Rock And Roll Now vinyl LP and press kit promoting Bowie’s first live appearances in the country and compiled from the five RCA albums available at that point. For obvious reasons, these releases command high prices, which is why some have also been a target for counterfeiters. Where we are aware of such things, we’ll point them out. The Lifetimes campaign of June 1983 was a two-pronged affair by RCA in the UK, aimed at the Bowie back catalogue of albums and singles just in time for Bowie’s summer Serious Moonlight tour dates in the UK. The album campaign featured all the RCA titles (aside from Stage), including the three compilations Changes One and Two and Bowie Rare. It was a lavish advertising campaign, with an artwork based on Greg Gorman’s 1982 photograph from a session also utilised by EMI for the Let’s Dance campaign. The numbered 15-track Lifetimes promo album was limited to 1,000 copies, see comments for the tracklisting. Aside from the album, completists should look out for associated paraphernalia, such as press adverts, hanging shop mobile, A4 glossy brochure, window sticker, A5 flyer and no doubt other bits we’ve forgotten about. We’ll focus on the 20 Lifetimes singles campaign another time, which also had associated collectables to consider. 📸 Greg Gorman 1982 #DailyBowieThing #BowieLifetimes #BowiePromoCompilation
