Actress PhotosTop Photos

Lulu Wang Most Liked Photos and Posts

By GethuCinema Admin

Related Posts

Share This Post

Most liked photo of Lulu Wang with over 6.8K likes is the following photo

Most liked Instagram photo of Lulu Wang
We have around 80 most liked photos of Lulu Wang with the thumbnails listed below. Click on any of them to view the full image along with its caption, like count, and a button to download the photo.

Lulu Wang Instagram - We have a first poster! As Dani (@deteem) says, this is a show where life gets life-y… and we can’t wait for you to enter the world of #Expats with us. Coming January 26, 2024 on @primevideo
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - All eyes on #Expats. Catch a new episode tomorrow, only on @primevideo.
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Pablo Larraín with Barry Jenkins and Lulu Wang at the MARIA screening in LA.
Lulu Wang Instagram - When @thumbelulu was growing up, her family was certain of two things: She was destined to become a piano prodigy, and she needed to be grateful for the sacrifices her parents made to give her that opportunity. In today’s episode, creator of #Expats and writer and director of @thefarewell tells the story of how she found her own space away from the expectations of her future, and in doing so, unlocked the joy of making her own discoveries. Listen to Lulu Wang’s @meditativestory at the link in our bio.
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - On May 13, join us and @@backstagecast for a special Expats screening and Q&A. Our @kateyrichtalking will interview @thumbelulu and @sarayublue about the series’ subtle shifts between blame and accountability through stories of grief and loss. Tickets are at the link in bio.
Lulu Wang Instagram - NICK & CHLOÉ Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Lulu Wang Instagram - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Lulu Wang Instagram - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Lulu Wang Instagram - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Lulu Wang Instagram - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Lulu Wang Instagram - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Lulu Wang Instagram - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Lulu Wang Instagram - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Lulu Wang Instagram - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Lulu Wang Instagram - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Lulu Wang Instagram - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Lulu Wang Instagram - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Lulu Wang Instagram - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Lulu Wang Instagram - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Lulu Wang Instagram - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Lulu Wang Instagram - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Lulu Wang Instagram - Honored to be a co-owner of the Village Theater in Westwood with this esteemed group. Let’s all go to the movies! 🍿🎥🎬🙏
Lulu Wang Instagram - Honored to be a co-owner of the Village Theater in Westwood with this esteemed group. Let’s all go to the movies! 🍿🎥🎬🙏
Lulu Wang Instagram - I’m so moved by all the beautiful messages since 105 dropped. Thank you for watching, for being part of the larger dialogue I hoped to start with this series. Too many things I want to say, but for now I’ll just share a few moments from set with my incredible Expats family. 1. Pre-record of “Roar” for the opening scene. 2. Our ADs demonstrating how an actor who doesn’t play piano could use a hand double. 3. Maggie Li rehearsing her climb. 4. The poor extra who braved the rain way too many times for this shot and laughed and thumbs upped me after every take. 5. More rain. So much rain. 6. Joey our key grip holds umbrellas for the ladies and lovin it. 7. Joey. LOVING it. 8. Glamorous video village. 9. Bodhi, Tiana and Connor - sibling love. 10. Blocking rehearsal. Chauncey plays Gus.
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Lulu Wang Instagram - This is probably one of the most vulnerable interviews I’ve done to date. Thank you to the brilliant @samfragoso @karoline_ribak @talkeasypod for diving deep and being a constant reminder of how to stay human. Thank you @krishnabalashenoi for the very cool hand painted portrait and @juliuschiu for the photos. Much love to everyone who listens.
Lulu Wang - 6.8K Likes - We have a first poster! As Dani (@deteem) says, this is a show where life gets life-y… and we can’t wait for you to enter the world of #Expats with us. Coming January 26, 2024 on @primevideo

6.8K Likes – Lulu Wang Instagram

Caption : We have a first poster! As Dani (@deteem) says, this is a show where life gets life-y… and we can’t wait for you to enter the world of #Expats with us. Coming January 26, 2024 on @primevideo
Likes : 6754Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 1.2K Likes - All eyes on #Expats. Catch a new episode tomorrow, only on @primevideo.

1.2K Likes – Lulu Wang Instagram

Caption : All eyes on #Expats. Catch a new episode tomorrow, only on @primevideo.
Likes : 1176Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 562 Likes - Pablo Larraín with Barry Jenkins and Lulu Wang at the MARIA screening in LA.

562 Likes – Lulu Wang Instagram

Caption : Pablo Larraín with Barry Jenkins and Lulu Wang at the MARIA screening in LA.
Likes : 562Lulu Wang - 540 Likes - When @thumbelulu was growing up, her family was certain of two things: She was destined to become a piano prodigy, and she needed to be grateful for the sacrifices her parents made to give her that opportunity. In today’s episode, creator of #Expats and writer and director of @thefarewell tells the story of how she found her own space away from the expectations of her future, and in doing so, unlocked the joy of making her own discoveries. Listen to Lulu Wang’s @meditativestory at the link in our bio.

540 Likes – Lulu Wang Instagram

Caption : When @thumbelulu was growing up, her family was certain of two things: She was destined to become a piano prodigy, and she needed to be grateful for the sacrifices her parents made to give her that opportunity. In today’s episode, creator of #Expats and writer and director of @thefarewell tells the story of how she found her own space away from the expectations of her future, and in doing so, unlocked the joy of making her own discoveries. Listen to Lulu Wang’s @meditativestory at the link in our bio.
Likes : 540Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 370 Likes - On May 13, join us and @@backstagecast for a special Expats screening and Q&A. Our @kateyrichtalking will interview @thumbelulu and @sarayublue about the series’ subtle shifts between blame and accountability through stories of grief and loss. Tickets are at the link in bio.

370 Likes – Lulu Wang Instagram

Caption : On May 13, join us and @@backstagecast for a special Expats screening and Q&A. Our @kateyrichtalking will interview @thumbelulu and @sarayublue about the series’ subtle shifts between blame and accountability through stories of grief and loss. Tickets are at the link in bio.
Likes : 370Lulu Wang - 290 Likes - NICK & CHLOÉ Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu

290 Likes – Lulu Wang Instagram

Caption : NICK & CHLOÉ Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Likes : 290Lulu Wang - 3 Likes - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.

3 Likes – Lulu Wang Instagram

Caption : Lately – getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Likes : 3Lulu Wang - 3 Likes - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.

3 Likes – Lulu Wang Instagram

Caption : Lately – getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Likes : 3Lulu Wang - 3 Likes - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.

3 Likes – Lulu Wang Instagram

Caption : Lately – getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Likes : 3Lulu Wang - 3 Likes - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.

3 Likes – Lulu Wang Instagram

Caption : Lately – getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Likes : 3Lulu Wang - 3 Likes - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.

3 Likes – Lulu Wang Instagram

Caption : Lately – getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Likes : 3Lulu Wang - 3 Likes - Lately - getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.

3 Likes – Lulu Wang Instagram

Caption : Lately – getting better at celebrating all the things with all the ones I love. Been thinking about the matriarchal society of our bees with their entirely female workforce right in our backyard… and the wonder of matsutake mushrooms which grow in forests that have been devastated by humans. But enough destruction already. Make honey. Make art. Make like matsutake and grow.
Likes : 3Lulu Wang - 3 Likes - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.

3 Likes – Lulu Wang Instagram

Caption : A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Likes : 3Lulu Wang - 3 Likes - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.

3 Likes – Lulu Wang Instagram

Caption : A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Likes : 3Lulu Wang - 3 Likes - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.

3 Likes – Lulu Wang Instagram

Caption : A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Likes : 3Lulu Wang - 3 Likes - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.

3 Likes – Lulu Wang Instagram

Caption : A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Likes : 3Lulu Wang - 3 Likes - A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.

3 Likes – Lulu Wang Instagram

Caption : A few film snaps from @mattmorrisfilms at the EXPATS Prime Experience this weekend.
Likes : 3Lulu Wang - 3 Likes - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.

3 Likes – Lulu Wang Instagram

Caption : If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Likes : 3Lulu Wang - 3 Likes - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.

3 Likes – Lulu Wang Instagram

Caption : If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Likes : 3Lulu Wang - 3 Likes - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.

3 Likes – Lulu Wang Instagram

Caption : If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Likes : 3Lulu Wang - 3 Likes - If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.

3 Likes – Lulu Wang Instagram

Caption : If you watched the final episode of EXPATS, you’ll see a dedication to our beloved friend and camera operator Matthew “Matty” Wakai, who we lost at far too young an age. Production teams usually become like extended family, but on this project more than others because of how long we were shooting in HK with many of us away from home. Matty was one of the hardest working people I’ve ever met, though he never treated it like working “hard,” and approached every challenge like a game. If there was something we didn’t have time to shoot with first unit, Matty was our guy. He loved his city and was always thrilled to help us capture all the details of Hong Kong. I know @annafranquesasolano loved Matty as a friend and as a collaborator more than I can put into words. Anna and I talked all the time about bringing him on all our future productions. Our producer On has known Matty since he was 7, and watched him grow into his remarkable talents over the years in the HK film scene. Matty was so kind, SO steadfast… the only thing he loved more than being on set was being with his wife and kid. It was a painful and sudden loss… one that left us all in shock, trying to make sense out of something so senseless. We love you always, Matty. I think you’d be proud of what we all created.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power - “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.

3 Likes – Lulu Wang Instagram

Caption : I’ve been thinking a lot about soft power vs hard power. Hollywood is known for its pursuit of hard power – “money, fame, external influence and affirmation, power and scale” (as said beautifully by @veramiao who always leads me to think in more expansive ways). But in embracing soft power, we can choose to only make things we love, and choose to only work with those we feel we can create meaning with. I could not have chosen more incredible partners than @sarayublue and @brian_tee and it gives me such immense joy to watch them show their full range in these roles. Soft power is @nicolekidman allowing us to use her name and prestige to create a platform for so many other talented folks who don’t often get offered the same kind of meaty roles. I hope to see more leverage of soft power to shift culture and expand narrative perspectives. Thank you @therebeccasun for this insightful piece spotlighting two stars that have so much more shine in them than we can even imagine.
Likes : 3Lulu Wang - 3 Likes - Honored to be a co-owner of the Village Theater in Westwood with this esteemed group. Let’s all go to the movies! 🍿🎥🎬🙏

3 Likes – Lulu Wang Instagram

Caption : Honored to be a co-owner of the Village Theater in Westwood with this esteemed group. Let’s all go to the movies! 🍿🎥🎬🙏
Likes : 3Lulu Wang - 3 Likes - Honored to be a co-owner of the Village Theater in Westwood with this esteemed group. Let’s all go to the movies! 🍿🎥🎬🙏

3 Likes – Lulu Wang Instagram

Caption : Honored to be a co-owner of the Village Theater in Westwood with this esteemed group. Let’s all go to the movies! 🍿🎥🎬🙏
Likes : 3Lulu Wang - 3 Likes - I’m so moved by all the beautiful messages since 105 dropped. Thank you for watching, for being part of the larger dialogue I hoped to start with this series. Too many things I want to say, but for now I’ll just share a few moments from set with my incredible Expats family. 1. Pre-record of “Roar” for the opening scene. 2. Our ADs demonstrating how an actor who doesn’t play piano could use a hand double. 3. Maggie Li rehearsing her climb. 4. The poor extra who braved the rain way too many times for this shot and laughed and thumbs upped me after every take. 5. More rain. So much rain. 6. Joey our key grip holds umbrellas for the ladies and lovin it. 7. Joey. LOVING it. 8. Glamorous video village. 9. Bodhi, Tiana and Connor - sibling love. 10. Blocking rehearsal. Chauncey plays Gus.

3 Likes – Lulu Wang Instagram

Caption : I’m so moved by all the beautiful messages since 105 dropped. Thank you for watching, for being part of the larger dialogue I hoped to start with this series. Too many things I want to say, but for now I’ll just share a few moments from set with my incredible Expats family. 1. Pre-record of “Roar” for the opening scene. 2. Our ADs demonstrating how an actor who doesn’t play piano could use a hand double. 3. Maggie Li rehearsing her climb. 4. The poor extra who braved the rain way too many times for this shot and laughed and thumbs upped me after every take. 5. More rain. So much rain. 6. Joey our key grip holds umbrellas for the ladies and lovin it. 7. Joey. LOVING it. 8. Glamorous video village. 9. Bodhi, Tiana and Connor – sibling love. 10. Blocking rehearsal. Chauncey plays Gus.
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3

3 Likes – Lulu Wang Instagram

Caption : 💕 happy vday from the characters you love to hate and hate to love 💕 send these to your crush <3
Likes : 3Lulu Wang - 3 Likes - This is probably one of the most vulnerable interviews I’ve done to date. Thank you to the brilliant @samfragoso @karoline_ribak @talkeasypod for diving deep and being a constant reminder of how to stay human. Thank you @krishnabalashenoi for the very cool hand painted portrait and @juliuschiu for the photos. Much love to everyone who listens.

3 Likes – Lulu Wang Instagram

Caption : This is probably one of the most vulnerable interviews I’ve done to date. Thank you to the brilliant @samfragoso @karoline_ribak @talkeasypod for diving deep and being a constant reminder of how to stay human. Thank you @krishnabalashenoi for the very cool hand painted portrait and @juliuschiu for the photos. Much love to everyone who listens.
Likes : 3
Previous article
Camille Anderson Most Liked Photos and Posts
Next article
Sasha Spielberg Most Liked Photos and Posts

Categories

Company

Follow on

© Gethu Cinema. All Rights Reserved