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Aindrea Emelife Instagram - Very exciting news ✨ Thrilled and honoured to join the @emowaa_ team as the newly appointed inaugural Curator (Modern and Contemporary) at EMOWAA (Edo Museum of West African Art), a new David Adjaye designed (@adjaye_visual_sketchbook) museum district in Benin City, Nigeria opening in stages from 2024. As a Nigerian, London born, I am spiritually connected to this mission and honoured to be part of this history making project. Having joined the team some months ago, I've learnt so much from so many members of the team - expanding my view from archaeology to important aspects of museum practice that one is rarely afforded the opportunity to be the part of from the get go. It is an enormous opportunity to be part of shaping the blueprint for what a museum of the future and a museum in Africa can be, as well as working with academics such as @chikaokekeagulu who I have so admired as I build and research the first research and exhibition projects as well as collection strategies. I talk a lot more about the plans over at @theartnewspaper.official What a journey! 🇳🇬 more exciting news to come... Typing from Lagos! I am loving splitting my time between Nigeria, the U.K. and wherever a plane will take me ✈️
Aindrea Emelife Instagram - Appointed Curator of the Nigeria Pavilion at next years Venice Biennale! I can’t quite believe I am typing this. I am beyond honoured to have been appointed as the Curator of the Nigeria Pavilion at the 60th International Art Exhibition of La Biennale di Venezia. This is not something I take lightly. The hard, dedicated and enduring work has already begun. Working with and having the trust of all the artists I have selected - so dynamic, cross-generational, and interdisciplinary - has and will continue to be the greatest privilege as we imagine, dream and seek to realise the important mission of representing a nation. The Nigeria Imaginary will be a manifesto. Indeed, the imagination is the most fertile and powerful tool of liberation we possess. I have a change agenda. To be able to enact and articulate this - as a young curator, committed to the power art has to change us - at one of the art worlds most important platforms will be the most important thing I have done in my career so far. Not for or in service of myself, but in a mission to show the world that there is so much more than we have been told. So much more to Nigeria and to Africa that limited imaginations have propagandised. This project is deeply aligned with our mission at MOWAA (@mowaaofficial ) As MOWAA’s Curator of Modern and Contemporary, it has been deeply meaningful to begin to demonstrate our vision with this project, but also to ensure its relevance and meaning back home. With MOWAA’s organisational support, the Nigerian Pavilion will tour back to MOWAA as the inaugural exhibition of our Rainforest Gallery, the first exhibition space opening in the MOWAA Creative District in 2025.
Aindrea Emelife Instagram - NEW YORK TIMES!! 💚🤍💚 Waking up bleary eyed to this was a shock. This comes at the final push of an intense installation period for easily one of the most ambitious and important exhibitions I have and will ever curate. It is important because it has the significant potential to mean more than the sum of its parts. At the heart, it urges us to imagine and dream in new ways and with a new nation and under the surface at times tells a narrative of many different interactions with nationhood and how these perspectives shape how we envision a new nation. The exhibition is a manifesto. It is a proposal. During this installation process I have felt immense gratitude to the artists. All of whom have pushed their practices and evoked Nigeria Imaginary in such powerful ways. Never in my wildest dreams would I have imagined working so closely with artists I admire so much. You have taught me so much about the power of art and the imaginary and about myself. (@tunjiaj @shonibarestudio @memoriesofabiglife @dikendidi @devilintraining_ @oghobaseabraham Toyin & Fatimah) Not long now! Everything is shaping up and I can't wait to reveal to you all next week! So many thanks to @siddharthamitter for so beautifully capturing the essence of the exhibition and teasing these incredible works! Highlighting the journey from Nigeria to Venice (and back!). The piece is an invitation into the state of things and a liberated future. And to an amazing team 💪🏾 @mowaaofficial @dhoffice Ty @nytimes !! Off we goooooo 🚀 🇳🇬 📸 @demayda 👗 @newbottega (Grazie Alexandre!!!!)
Aindrea Emelife Instagram - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Aindrea Emelife Instagram - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Aindrea Emelife Instagram - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Aindrea Emelife Instagram - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Aindrea Emelife Instagram - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Aindrea Emelife Instagram - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Aindrea Emelife Instagram - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Aindrea Emelife Instagram - Black Venus opens today @somersethouse I spent this morning with two incredible girls from Gloucester who reminded me why I curated this exhibition and made it even more clear why these stories, ideas and histories need to be told. This is a show I wish I had seen but it is also a point of self discovery, protest, and call to arms to see and re see. It is a reminder that there is so much more than we have been told. Thank you @omfgnoway and @guardian for the 4 ⭐️ ⭐️⭐️⭐️ . They are not mine to keep, they are for the artists and for all of us. They are an encouragement that there is so much world out there, and artists like those featured in the show have an incredible talent in showing us what we need to see in the most unique of ways. Each artist in the show has allowed me to question myself and the world. Thank you to you all! @lornasimpson @ambercashmere @muholizanele @cyborg_artist @carriemaeweems #tabitarezaire pure bred.mongrel @reneecoxstudio @mingsmithphoto @ayanavjackson @maudsulterestate @delphinediallo @widline_ @soniaboyceartist @coreensimpson @kara_walker_official @houseofblackstyle #maxinewalker
Aindrea Emelife Instagram - LAGOS CALLING: Elle U.K. Nov Issue Honoured to be a main feature in @elleuk November Issue. Interviewed by @omfgnoway I speak about growing up in Earls Court as an art loving curious child, a path changing bursary to @courtauld curating guerilla-style at end of lease retail properties all the way up to the current moment as I plan my vision as the Curator of the Nigeria Pavilion at next years Venice Biennale and work on the most exhilarating history making project as the Curator at @mowaaofficial - Museum of West African Art There's lots of bits about my life between London and Lagos, as well as next weeks upcoming collaboration with @christiesinc as the auction "Know Who We Are" sees global artists donate works to support the Nigeria Pavilion at Venice Biennale 2024 and MOWAA's Rainforest Gallery, designed by architect @worofila , where the Nigeria Pavilion will return to. Pinching myself to be called this years "breakout star" but know that at the heart of it all, my vision is much bigger than myself. Ever afraid of a self centric life, this is about expanding history. Thrilled that this history is being considered "safe in [my] hands" Wearing some of my favourite Nigerian designers @torloweiworld @kadijuofficial @oiza.___ 🇳🇬 🇳🇬 🇳🇬 🇳🇬 🇳🇬 EIC @kenyahunt Photographer @laurenmaccabee Deputy Editor @lenadecasparis Styling @crystallecox Art Director @lozzysj Shoot Producer elizabeth_m_wood Features Director @hlucynat Hair @abrakennedy Make up @dalila_mua Writer @omfgnoway
Aindrea Emelife Instagram - LAGOS CALLING: Elle U.K. Nov Issue Honoured to be a main feature in @elleuk November Issue. Interviewed by @omfgnoway I speak about growing up in Earls Court as an art loving curious child, a path changing bursary to @courtauld curating guerilla-style at end of lease retail properties all the way up to the current moment as I plan my vision as the Curator of the Nigeria Pavilion at next years Venice Biennale and work on the most exhilarating history making project as the Curator at @mowaaofficial - Museum of West African Art There's lots of bits about my life between London and Lagos, as well as next weeks upcoming collaboration with @christiesinc as the auction "Know Who We Are" sees global artists donate works to support the Nigeria Pavilion at Venice Biennale 2024 and MOWAA's Rainforest Gallery, designed by architect @worofila , where the Nigeria Pavilion will return to. Pinching myself to be called this years "breakout star" but know that at the heart of it all, my vision is much bigger than myself. Ever afraid of a self centric life, this is about expanding history. Thrilled that this history is being considered "safe in [my] hands" Wearing some of my favourite Nigerian designers @torloweiworld @kadijuofficial @oiza.___ 🇳🇬 🇳🇬 🇳🇬 🇳🇬 🇳🇬 EIC @kenyahunt Photographer @laurenmaccabee Deputy Editor @lenadecasparis Styling @crystallecox Art Director @lozzysj Shoot Producer elizabeth_m_wood Features Director @hlucynat Hair @abrakennedy Make up @dalila_mua Writer @omfgnoway
Aindrea Emelife Instagram - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Aindrea Emelife Instagram - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Aindrea Emelife Instagram - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Aindrea Emelife Instagram - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Aindrea Emelife Instagram - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Aindrea Emelife Instagram - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Aindrea Emelife Instagram - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Aindrea Emelife Instagram - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Aindrea Emelife Instagram - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Aindrea Emelife Instagram - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Aindrea Emelife Instagram - Standing in front of Kehinde Wiley’s work is always a moment that demands a pause. Not only do we as the viewer have the opportunity to appreciate the awestriking mastery of his painting up close, but an equal chance to reflect on the importance of his practice and its position of influence in contemporary art. Wiley’s interrogation of historical portraiture has long inserted black bodies into spaces previously reserved for white noblemen and royalty and has thus been a catalyst for the evolution of how we represent blackness today. Wiley’s legacy extends further through Black Rock, his multidisciplinary artist-in-residence program which brings together international artists to live and work in Dakar, Senegal, with a mission to support creation, collaboration, and incite change in the global discourse about what Africa means today. @kehindewiley @blackrocksenegal
Aindrea Emelife Instagram - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Aindrea Emelife Instagram - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Aindrea Emelife Instagram - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Aindrea Emelife Instagram - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Aindrea Emelife Instagram - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Aindrea Emelife Instagram - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Aindrea Emelife Instagram - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Aindrea Emelife Instagram - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Aindrea Emelife Instagram - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Aindrea Emelife Instagram - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Aindrea Emelife Instagram - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Aindrea Emelife Instagram - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Aindrea Emelife Instagram - BEHIND THE EXHIBITION BLACK VENUS - Introducing Aindrea Emelife (@aindreaemelife). Aindrea Emelife - is a Nigerian-British curator and art historian from London. She trained as an art historian at the prestigious Courtauld Institute of Art and has quickly gone on to become a ground-breaking new voice in an art world otherwise steeped in tradition. Aindrea debuted her first column for the Financial Times aged 20 years old, and has been published widely and internationally, including articles in The Guardian, Vanity Fair, The Telegraph, BBC, GQ, Frieze, The Independent, BBC and ArtNet. She features regularly on podcasts, most recently Intelligence Squared, Talk Art, and The Art Newspaper Podcast and is dedicated to public speaking, usually pertaining to discussions of contemporary art, popularising art history and championing female, black or artists of colour. Moreover, Aindrea is the curator behind BLACK VENUS—an exhibition that surveys the legacy of Black Women in visual culture and celebrates Black beauty, while investigating the many faces of Black femininity. Starting April 5th, BLACK VENUS will be on view at Museum of the African Diaspora in San Francisco. Don’t forget to RSVP to Aindrea’s Curator & Artist Talk with Museum of the African Diaspora on April 6th (link-in-bio). To learn more about BLACK VENUS, click the link-in-bio. #BlackVenus #MoAD #AindreaEmelife
Aindrea Emelife Instagram - NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent.... those who know me know I'm neck deep preparing for the Nigeria Pavilion at next years Venice Biennale - which now feels like it's tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the 'Working Wardrobe' series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron
Aindrea Emelife Instagram - NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent.... those who know me know I'm neck deep preparing for the Nigeria Pavilion at next years Venice Biennale - which now feels like it's tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the 'Working Wardrobe' series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron
Aindrea Emelife Instagram - NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent.... those who know me know I'm neck deep preparing for the Nigeria Pavilion at next years Venice Biennale - which now feels like it's tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the 'Working Wardrobe' series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron
Aindrea Emelife Instagram - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Aindrea Emelife Instagram - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Aindrea Emelife Instagram - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Aindrea Emelife Instagram - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Aindrea Emelife Instagram - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Aindrea Emelife Instagram - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Aindrea Emelife Instagram - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Aindrea Emelife Instagram - Excited to be sharing snippets of curatorial thinking's over on @nigeriaimaginary and @mowaaofficial ahead of the Nigeria Pavilion at the 60th International Art Exhibition, La Biennale Di Venezia @labiennale. The opening sentence from the Manifesto, titled, Natural Synthesis, written by artist Uche Okeke.Guided by the renascent African spirit of the 60s, Okeke and his peers forged a new modality for modernist art that synthesised traditional, indigenous African aesthetics with the new techniques and sensibilities found in a post-colonial world. Articulated through many fields of reference and artistic disciplines, Nigeria Imaginary is a restless investigation of the past. It looks back at some of Nigeria’s historic moments and artistic creations, explores the present, and defiantly imagines what is yet to come.
Aindrea Emelife Instagram - THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I've known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial
Aindrea Emelife Instagram - THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I've known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial
Aindrea Emelife Instagram - THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I've known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial
Aindrea Emelife Instagram - Finally opening a show in the UK Black Venus comes to Blighty 🇬🇧 this Summer 🧜🏾‍♀️ 💜
Aindrea Emelife Instagram - Finally opening a show in the UK Black Venus comes to Blighty 🇬🇧 this Summer 🧜🏾‍♀️ 💜
Aindrea Emelife Instagram - ROLL CALL - apply for @new_curators - applications close in 5 DAYS!! I've very excitedly been working with the incredible team behind New Curators as one of their trustees. It all started one wintery day a few years ago, walking socially distanced with @markgodfrey1973 who I am lucky to count as a dear friend and mentor. Being asked to be part of this exciting course and expansion of curatorial study is meaningful as a curator who started not as a curatorial assistant or with a curatorial MA, but a plucky art historian with bold ideas and a passion for storytelling in new ways. New Curators embraces the unconventional (as we should) and the future of curators and so expansion of exhibition programming and how we see art. This is the sort of course I would have ran to apply to so you should too. Applications close soon. Thank you to @kerryngreenberg @markgodfrey1973 @rudimd for your hard work and belief that the path to equity has many routes, and starting early, by expanding who sees themselves in these positions and who can contribute to these discussions is vital. Proud to be part of this important mission. Can't wait to meet you, Class of 23 💜 x
Aindrea Emelife Instagram - ROLL CALL - apply for @new_curators - applications close in 5 DAYS!! I've very excitedly been working with the incredible team behind New Curators as one of their trustees. It all started one wintery day a few years ago, walking socially distanced with @markgodfrey1973 who I am lucky to count as a dear friend and mentor. Being asked to be part of this exciting course and expansion of curatorial study is meaningful as a curator who started not as a curatorial assistant or with a curatorial MA, but a plucky art historian with bold ideas and a passion for storytelling in new ways. New Curators embraces the unconventional (as we should) and the future of curators and so expansion of exhibition programming and how we see art. This is the sort of course I would have ran to apply to so you should too. Applications close soon. Thank you to @kerryngreenberg @markgodfrey1973 @rudimd for your hard work and belief that the path to equity has many routes, and starting early, by expanding who sees themselves in these positions and who can contribute to these discussions is vital. Proud to be part of this important mission. Can't wait to meet you, Class of 23 💜 x
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino
Aindrea Emelife Instagram - “THE CURATOR” FEATURED IN ELLE UK NOV ISSUE 2022 Cannot explain my excitement this morning flicking through ELLE Magazine and coming across myself amongst so many empowering women, many of whom I am lucky to call friends. From @soniaboyceartist whose powerful British Pavilion made an indelible mark on history and on so many lives, to the trailblazing beacon of support @ebeleokobi to the much-needed rallier for change of @elliepennick of @guts_gallery , confidante and example for great leadership @bettinakorek and filmmaker @ayoakingbade whose films connect to my many inner selves… In the interview, with the incredible @omfgnoway , I discuss my beginnings in art. From a childhood obsession with museums, to a ever evolving connection with seeing the art of Nigeria (Benin Bronzes, Idia Mask...), my cultural heritage, displayed and confined in the British Museum - a tandem source of inspiration, but painfully bittersweet in its displacement. History is always shifting - cultural sovereignty is key. Art has always been the most fascinating way for me to learn about myself. As the article ends, I am committed to being the person I wish I could have seen as a young girl, where museums hallways confusingly were where I felt most at home. I’m excited to see this, and so many inspiring people because I am excited to see what the future holds. Thank you @elleuk and @kenyahunt ! Also, I cannot lie - the inner fashion geek in me was SCREAMING at wearing this LOEWE! Dress @loewe Ring @shmjewellery
Aindrea Emelife Instagram - “THE CURATOR” FEATURED IN ELLE UK NOV ISSUE 2022 Cannot explain my excitement this morning flicking through ELLE Magazine and coming across myself amongst so many empowering women, many of whom I am lucky to call friends. From @soniaboyceartist whose powerful British Pavilion made an indelible mark on history and on so many lives, to the trailblazing beacon of support @ebeleokobi to the much-needed rallier for change of @elliepennick of @guts_gallery , confidante and example for great leadership @bettinakorek and filmmaker @ayoakingbade whose films connect to my many inner selves… In the interview, with the incredible @omfgnoway , I discuss my beginnings in art. From a childhood obsession with museums, to a ever evolving connection with seeing the art of Nigeria (Benin Bronzes, Idia Mask...), my cultural heritage, displayed and confined in the British Museum - a tandem source of inspiration, but painfully bittersweet in its displacement. History is always shifting - cultural sovereignty is key. Art has always been the most fascinating way for me to learn about myself. As the article ends, I am committed to being the person I wish I could have seen as a young girl, where museums hallways confusingly were where I felt most at home. I’m excited to see this, and so many inspiring people because I am excited to see what the future holds. Thank you @elleuk and @kenyahunt ! Also, I cannot lie - the inner fashion geek in me was SCREAMING at wearing this LOEWE! Dress @loewe Ring @shmjewellery
Aindrea Emelife Instagram - We're not at @courtauld anymore toto Finding myself in most interesting situations of recent. On my way to @darrenaronofsky premiere of The Whale at Venice Film Festival Who says academics don't wear pink feathers? 🪶 Dress by @sabina.bilenko
Aindrea Emelife Instagram - Tomorrow marks the opening of “homegrown”, Amoako Boafo’s solo exhibition that I am honoured to have curated and been given the opportunity to immerse in the world and community he builds. The exhibition is in conjunction with the launch of dot.ateliers, a new artist residency space founded by the artist, designed by Sir David Adjaye OBE, and situated in Accra, Ghana. It’s been a luxury to search through Boafo’s personal collection to draw together a presentation of of works that serve as a poignant reflection of his practice and its association with home and community. As a Nigerian, I am committed to working on the continent - there is so much art history being made and decades and centuries to unravel. Looking forward to the fruitful future of this creative hub and delighted to have been a part of its conception. Community first. Artists first. This talent is homegrown - it is vital to exhibit and expand here. @amoakoboafo @dot.ateliers @adjaye_visual_sketchbook
Aindrea Emelife Instagram - Frieze Week has begun! Can't wait to share what is truly a jam packed week of the most exciting things with you all! @ahluwalia @priya.ahluwalia1 @bjork @anothermagazine @koibird
Aindrea Emelife Instagram - an art historian wrapped in silk I'm currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett
Aindrea Emelife Instagram - an art historian wrapped in silk I'm currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett
Aindrea Emelife Instagram - an art historian wrapped in silk I'm currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett
Aindrea Emelife Instagram - People and (Places): Aindrea Emelife (London via Lagos) @aindreaemelife on spiritual protection I always carry books with me. I have said that we carry history with us, but I take this literally. I feel grounded with the knowledge of the past and so the possibilities of the future with me. I find a home in people, and I find it in art. Museums were always a place of solace for me. Hyper curious, sometimes dangerously slow, museums are where curiosity is rewarded and where stories live. And each time you visit the story is told differently. I find peace and empowerment in that. All the world's futures lie ahead. With @bonnielangedijk and @benjaminbreading #Tabayer #PeopleAndPlaces #Oera #CraftedInItaly #FairminedGold
Aindrea Emelife - 2.4K Likes - Very exciting news ✨ Thrilled and honoured to join the @emowaa_ team as the newly appointed inaugural Curator (Modern and Contemporary) at EMOWAA (Edo Museum of West African Art), a new David Adjaye designed (@adjaye_visual_sketchbook) museum district in Benin City, Nigeria opening in stages from 2024. As a Nigerian, London born, I am spiritually connected to this mission and honoured to be part of this history making project. Having joined the team some months ago, I've learnt so much from so many members of the team - expanding my view from archaeology to important aspects of museum practice that one is rarely afforded the opportunity to be the part of from the get go. It is an enormous opportunity to be part of shaping the blueprint for what a museum of the future and a museum in Africa can be, as well as working with academics such as @chikaokekeagulu who I have so admired as I build and research the first research and exhibition projects as well as collection strategies. I talk a lot more about the plans over at @theartnewspaper.official What a journey! 🇳🇬 more exciting news to come... Typing from Lagos! I am loving splitting my time between Nigeria, the U.K. and wherever a plane will take me ✈️

2.4K Likes – Aindrea Emelife Instagram

Caption : Very exciting news ✨ Thrilled and honoured to join the @emowaa_ team as the newly appointed inaugural Curator (Modern and Contemporary) at EMOWAA (Edo Museum of West African Art), a new David Adjaye designed (@adjaye_visual_sketchbook) museum district in Benin City, Nigeria opening in stages from 2024. As a Nigerian, London born, I am spiritually connected to this mission and honoured to be part of this history making project. Having joined the team some months ago, I’ve learnt so much from so many members of the team – expanding my view from archaeology to important aspects of museum practice that one is rarely afforded the opportunity to be the part of from the get go. It is an enormous opportunity to be part of shaping the blueprint for what a museum of the future and a museum in Africa can be, as well as working with academics such as @chikaokekeagulu who I have so admired as I build and research the first research and exhibition projects as well as collection strategies. I talk a lot more about the plans over at @theartnewspaper.official What a journey! 🇳🇬 more exciting news to come… Typing from Lagos! I am loving splitting my time between Nigeria, the U.K. and wherever a plane will take me ✈️
Likes : 2375Aindrea Emelife - 1.5K Likes - Appointed Curator of the Nigeria Pavilion at next years Venice Biennale! I can’t quite believe I am typing this. I am beyond honoured to have been appointed as the Curator of the Nigeria Pavilion at the 60th International Art Exhibition of La Biennale di Venezia. This is not something I take lightly. The hard, dedicated and enduring work has already begun. Working with and having the trust of all the artists I have selected - so dynamic, cross-generational, and interdisciplinary - has and will continue to be the greatest privilege as we imagine, dream and seek to realise the important mission of representing a nation. The Nigeria Imaginary will be a manifesto. Indeed, the imagination is the most fertile and powerful tool of liberation we possess. I have a change agenda. To be able to enact and articulate this - as a young curator, committed to the power art has to change us - at one of the art worlds most important platforms will be the most important thing I have done in my career so far. Not for or in service of myself, but in a mission to show the world that there is so much more than we have been told. So much more to Nigeria and to Africa that limited imaginations have propagandised. This project is deeply aligned with our mission at MOWAA (@mowaaofficial ) As MOWAA’s Curator of Modern and Contemporary, it has been deeply meaningful to begin to demonstrate our vision with this project, but also to ensure its relevance and meaning back home. With MOWAA’s organisational support, the Nigerian Pavilion will tour back to MOWAA as the inaugural exhibition of our Rainforest Gallery, the first exhibition space opening in the MOWAA Creative District in 2025.

1.5K Likes – Aindrea Emelife Instagram

Caption : Appointed Curator of the Nigeria Pavilion at next years Venice Biennale! I can’t quite believe I am typing this. I am beyond honoured to have been appointed as the Curator of the Nigeria Pavilion at the 60th International Art Exhibition of La Biennale di Venezia. This is not something I take lightly. The hard, dedicated and enduring work has already begun. Working with and having the trust of all the artists I have selected – so dynamic, cross-generational, and interdisciplinary – has and will continue to be the greatest privilege as we imagine, dream and seek to realise the important mission of representing a nation. The Nigeria Imaginary will be a manifesto. Indeed, the imagination is the most fertile and powerful tool of liberation we possess. I have a change agenda. To be able to enact and articulate this – as a young curator, committed to the power art has to change us – at one of the art worlds most important platforms will be the most important thing I have done in my career so far. Not for or in service of myself, but in a mission to show the world that there is so much more than we have been told. So much more to Nigeria and to Africa that limited imaginations have propagandised. This project is deeply aligned with our mission at MOWAA (@mowaaofficial ) As MOWAA’s Curator of Modern and Contemporary, it has been deeply meaningful to begin to demonstrate our vision with this project, but also to ensure its relevance and meaning back home. With MOWAA’s organisational support, the Nigerian Pavilion will tour back to MOWAA as the inaugural exhibition of our Rainforest Gallery, the first exhibition space opening in the MOWAA Creative District in 2025.
Likes : 1487Aindrea Emelife - 1.5K Likes - NEW YORK TIMES!! 💚🤍💚 Waking up bleary eyed to this was a shock. This comes at the final push of an intense installation period for easily one of the most ambitious and important exhibitions I have and will ever curate. It is important because it has the significant potential to mean more than the sum of its parts. At the heart, it urges us to imagine and dream in new ways and with a new nation and under the surface at times tells a narrative of many different interactions with nationhood and how these perspectives shape how we envision a new nation. The exhibition is a manifesto. It is a proposal. During this installation process I have felt immense gratitude to the artists. All of whom have pushed their practices and evoked Nigeria Imaginary in such powerful ways. Never in my wildest dreams would I have imagined working so closely with artists I admire so much. You have taught me so much about the power of art and the imaginary and about myself. (@tunjiaj @shonibarestudio @memoriesofabiglife @dikendidi @devilintraining_ @oghobaseabraham Toyin & Fatimah) Not long now! Everything is shaping up and I can't wait to reveal to you all next week! So many thanks to @siddharthamitter for so beautifully capturing the essence of the exhibition and teasing these incredible works! Highlighting the journey from Nigeria to Venice (and back!). The piece is an invitation into the state of things and a liberated future. And to an amazing team 💪🏾 @mowaaofficial @dhoffice Ty @nytimes !! Off we goooooo 🚀 🇳🇬 📸 @demayda 👗 @newbottega (Grazie Alexandre!!!!)

1.5K Likes – Aindrea Emelife Instagram

Caption : NEW YORK TIMES!! 💚🤍💚 Waking up bleary eyed to this was a shock. This comes at the final push of an intense installation period for easily one of the most ambitious and important exhibitions I have and will ever curate. It is important because it has the significant potential to mean more than the sum of its parts. At the heart, it urges us to imagine and dream in new ways and with a new nation and under the surface at times tells a narrative of many different interactions with nationhood and how these perspectives shape how we envision a new nation. The exhibition is a manifesto. It is a proposal. During this installation process I have felt immense gratitude to the artists. All of whom have pushed their practices and evoked Nigeria Imaginary in such powerful ways. Never in my wildest dreams would I have imagined working so closely with artists I admire so much. You have taught me so much about the power of art and the imaginary and about myself. (@tunjiaj @shonibarestudio @memoriesofabiglife @dikendidi @devilintraining_ @oghobaseabraham Toyin & Fatimah) Not long now! Everything is shaping up and I can’t wait to reveal to you all next week! So many thanks to @siddharthamitter for so beautifully capturing the essence of the exhibition and teasing these incredible works! Highlighting the journey from Nigeria to Venice (and back!). The piece is an invitation into the state of things and a liberated future. And to an amazing team 💪🏾 @mowaaofficial @dhoffice Ty @nytimes !! Off we goooooo 🚀 🇳🇬 📸 @demayda 👗 @newbottega (Grazie Alexandre!!!!)
Likes : 1455Aindrea Emelife - 1.1K Likes - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.

1.1K Likes – Aindrea Emelife Instagram

Caption : Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” – Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Likes : 1128Aindrea Emelife - 1.1K Likes - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.

1.1K Likes – Aindrea Emelife Instagram

Caption : Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” – Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Likes : 1128Aindrea Emelife - 1.1K Likes - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.

1.1K Likes – Aindrea Emelife Instagram

Caption : Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” – Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Likes : 1128Aindrea Emelife - 1.1K Likes - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.

1.1K Likes – Aindrea Emelife Instagram

Caption : Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” – Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Likes : 1128Aindrea Emelife - 1.1K Likes - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.

1.1K Likes – Aindrea Emelife Instagram

Caption : Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” – Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Likes : 1128Aindrea Emelife - 1.1K Likes - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.

1.1K Likes – Aindrea Emelife Instagram

Caption : Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” – Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Likes : 1128Aindrea Emelife - 1.1K Likes - Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” - Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.

1.1K Likes – Aindrea Emelife Instagram

Caption : Over the past week, we had the opportunity to host a preview of the Nigeria Imaginary exhibition for the official presentation of the Nigeria Pavilion at this year’s Venice Biennale. We are grateful for the support we received, and for the positive feedback by press and members of the public. “One of the most ambitious African presentations ever at the Venice Biennale.” – Siddhartha Mitter, New York Times “Top 8 Pavilions” – NYT “ Top 5 Pavilions” – ArtNews We hope you get a chance to visit too. Tag us @mowaaofficial and @nigeriaimaginary when you do! NIGERIA IMAGNARY Nigerian Pavilion 20.4-24.11.2024. Palazzo Canal, 3121 Rio Tera Canal Dorsoduro, Venice Curated by Aindrea Emelife Commissioned by the Edo State Governor, Godwin Obaseki, on behalf of Nigeria’s Federal Ministry of Art, Culture and the Creative Economy under the leadership of Honorable Minister Barr. Hannatu Musa Musawa. Organized by The Museum of West African Art (MOWAA) Open Tue-Sun 11.00-19.00.
Likes : 1128Aindrea Emelife - 1K Likes - Black Venus opens today @somersethouse I spent this morning with two incredible girls from Gloucester who reminded me why I curated this exhibition and made it even more clear why these stories, ideas and histories need to be told. This is a show I wish I had seen but it is also a point of self discovery, protest, and call to arms to see and re see. It is a reminder that there is so much more than we have been told. Thank you @omfgnoway and @guardian for the 4 ⭐️ ⭐️⭐️⭐️ . They are not mine to keep, they are for the artists and for all of us. They are an encouragement that there is so much world out there, and artists like those featured in the show have an incredible talent in showing us what we need to see in the most unique of ways. Each artist in the show has allowed me to question myself and the world. Thank you to you all! @lornasimpson @ambercashmere @muholizanele @cyborg_artist @carriemaeweems #tabitarezaire pure bred.mongrel @reneecoxstudio @mingsmithphoto @ayanavjackson @maudsulterestate @delphinediallo @widline_ @soniaboyceartist @coreensimpson @kara_walker_official @houseofblackstyle #maxinewalker

1K Likes – Aindrea Emelife Instagram

Caption : Black Venus opens today @somersethouse I spent this morning with two incredible girls from Gloucester who reminded me why I curated this exhibition and made it even more clear why these stories, ideas and histories need to be told. This is a show I wish I had seen but it is also a point of self discovery, protest, and call to arms to see and re see. It is a reminder that there is so much more than we have been told. Thank you @omfgnoway and @guardian for the 4 ⭐️ ⭐️⭐️⭐️ . They are not mine to keep, they are for the artists and for all of us. They are an encouragement that there is so much world out there, and artists like those featured in the show have an incredible talent in showing us what we need to see in the most unique of ways. Each artist in the show has allowed me to question myself and the world. Thank you to you all! @lornasimpson @ambercashmere @muholizanele @cyborg_artist @carriemaeweems #tabitarezaire pure bred.mongrel @reneecoxstudio @mingsmithphoto @ayanavjackson @maudsulterestate @delphinediallo @widline_ @soniaboyceartist @coreensimpson @kara_walker_official @houseofblackstyle #maxinewalker
Likes : 1030Aindrea Emelife - 1K Likes - LAGOS CALLING: Elle U.K. Nov Issue Honoured to be a main feature in @elleuk November Issue. Interviewed by @omfgnoway I speak about growing up in Earls Court as an art loving curious child, a path changing bursary to @courtauld curating guerilla-style at end of lease retail properties all the way up to the current moment as I plan my vision as the Curator of the Nigeria Pavilion at next years Venice Biennale and work on the most exhilarating history making project as the Curator at @mowaaofficial - Museum of West African Art There's lots of bits about my life between London and Lagos, as well as next weeks upcoming collaboration with @christiesinc as the auction "Know Who We Are" sees global artists donate works to support the Nigeria Pavilion at Venice Biennale 2024 and MOWAA's Rainforest Gallery, designed by architect @worofila , where the Nigeria Pavilion will return to. Pinching myself to be called this years "breakout star" but know that at the heart of it all, my vision is much bigger than myself. Ever afraid of a self centric life, this is about expanding history. Thrilled that this history is being considered "safe in [my] hands" Wearing some of my favourite Nigerian designers @torloweiworld @kadijuofficial @oiza.___ 🇳🇬 🇳🇬 🇳🇬 🇳🇬 🇳🇬 EIC @kenyahunt Photographer @laurenmaccabee Deputy Editor @lenadecasparis Styling @crystallecox Art Director @lozzysj Shoot Producer elizabeth_m_wood Features Director @hlucynat Hair @abrakennedy Make up @dalila_mua Writer @omfgnoway

1K Likes – Aindrea Emelife Instagram

Caption : LAGOS CALLING: Elle U.K. Nov Issue Honoured to be a main feature in @elleuk November Issue. Interviewed by @omfgnoway I speak about growing up in Earls Court as an art loving curious child, a path changing bursary to @courtauld curating guerilla-style at end of lease retail properties all the way up to the current moment as I plan my vision as the Curator of the Nigeria Pavilion at next years Venice Biennale and work on the most exhilarating history making project as the Curator at @mowaaofficial – Museum of West African Art There’s lots of bits about my life between London and Lagos, as well as next weeks upcoming collaboration with @christiesinc as the auction “Know Who We Are” sees global artists donate works to support the Nigeria Pavilion at Venice Biennale 2024 and MOWAA’s Rainforest Gallery, designed by architect @worofila , where the Nigeria Pavilion will return to. Pinching myself to be called this years “breakout star” but know that at the heart of it all, my vision is much bigger than myself. Ever afraid of a self centric life, this is about expanding history. Thrilled that this history is being considered “safe in [my] hands” Wearing some of my favourite Nigerian designers @torloweiworld @kadijuofficial @oiza.___ 🇳🇬 🇳🇬 🇳🇬 🇳🇬 🇳🇬 EIC @kenyahunt Photographer @laurenmaccabee Deputy Editor @lenadecasparis Styling @crystallecox Art Director @lozzysj Shoot Producer elizabeth_m_wood Features Director @hlucynat Hair @abrakennedy Make up @dalila_mua Writer @omfgnoway
Likes : 954Aindrea Emelife - 1K Likes - LAGOS CALLING: Elle U.K. Nov Issue Honoured to be a main feature in @elleuk November Issue. Interviewed by @omfgnoway I speak about growing up in Earls Court as an art loving curious child, a path changing bursary to @courtauld curating guerilla-style at end of lease retail properties all the way up to the current moment as I plan my vision as the Curator of the Nigeria Pavilion at next years Venice Biennale and work on the most exhilarating history making project as the Curator at @mowaaofficial - Museum of West African Art There's lots of bits about my life between London and Lagos, as well as next weeks upcoming collaboration with @christiesinc as the auction "Know Who We Are" sees global artists donate works to support the Nigeria Pavilion at Venice Biennale 2024 and MOWAA's Rainforest Gallery, designed by architect @worofila , where the Nigeria Pavilion will return to. Pinching myself to be called this years "breakout star" but know that at the heart of it all, my vision is much bigger than myself. Ever afraid of a self centric life, this is about expanding history. Thrilled that this history is being considered "safe in [my] hands" Wearing some of my favourite Nigerian designers @torloweiworld @kadijuofficial @oiza.___ 🇳🇬 🇳🇬 🇳🇬 🇳🇬 🇳🇬 EIC @kenyahunt Photographer @laurenmaccabee Deputy Editor @lenadecasparis Styling @crystallecox Art Director @lozzysj Shoot Producer elizabeth_m_wood Features Director @hlucynat Hair @abrakennedy Make up @dalila_mua Writer @omfgnoway

1K Likes – Aindrea Emelife Instagram

Caption : LAGOS CALLING: Elle U.K. Nov Issue Honoured to be a main feature in @elleuk November Issue. Interviewed by @omfgnoway I speak about growing up in Earls Court as an art loving curious child, a path changing bursary to @courtauld curating guerilla-style at end of lease retail properties all the way up to the current moment as I plan my vision as the Curator of the Nigeria Pavilion at next years Venice Biennale and work on the most exhilarating history making project as the Curator at @mowaaofficial – Museum of West African Art There’s lots of bits about my life between London and Lagos, as well as next weeks upcoming collaboration with @christiesinc as the auction “Know Who We Are” sees global artists donate works to support the Nigeria Pavilion at Venice Biennale 2024 and MOWAA’s Rainforest Gallery, designed by architect @worofila , where the Nigeria Pavilion will return to. Pinching myself to be called this years “breakout star” but know that at the heart of it all, my vision is much bigger than myself. Ever afraid of a self centric life, this is about expanding history. Thrilled that this history is being considered “safe in [my] hands” Wearing some of my favourite Nigerian designers @torloweiworld @kadijuofficial @oiza.___ 🇳🇬 🇳🇬 🇳🇬 🇳🇬 🇳🇬 EIC @kenyahunt Photographer @laurenmaccabee Deputy Editor @lenadecasparis Styling @crystallecox Art Director @lozzysj Shoot Producer elizabeth_m_wood Features Director @hlucynat Hair @abrakennedy Make up @dalila_mua Writer @omfgnoway
Likes : 954Aindrea Emelife - 0.9K Likes - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)

0.9K Likes – Aindrea Emelife Instagram

Caption : NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Likes : 936Aindrea Emelife - 0.9K Likes - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)

0.9K Likes – Aindrea Emelife Instagram

Caption : NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Likes : 936Aindrea Emelife - 0.9K Likes - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)

0.9K Likes – Aindrea Emelife Instagram

Caption : NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Likes : 936Aindrea Emelife - 0.9K Likes - NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)

0.9K Likes – Aindrea Emelife Instagram

Caption : NIGERIA PAVILION at 60th International Art Exhibition, La Biennale di Venezia Proud to present…. NIGERIA IMAGINARY.   How do you imagine a nation? Can we make a contemporary parable? The concept of Nigeria Imaginary comes from two points of departure. It explores the role of both great moments in Nigeria’s history—moments of optimism—as well as the Nigeria that lives in all of our minds: a Nigeria that could be and is yet to be. Nigeria Imaginary presents different perspectives and constructed ideas, memories, and nostalgias of the country, including an intergenerational and diasporic lens, to imagine a Nigeria for the future. Works range in many differing mediums, including painting, photography, drawing, installation, sculpture, AR, sound, and film.   Artists:  Tunji Adeniyi-Jones (@tunjiaj), Ndidi Dike (@dikendidi), Onyeka Igwe (@memoriesofabiglife), Toyin Ojih Odutola, Abraham Oghobase (@oghobaseabraham), Precious Okoyomon (@devilintraining_), Yinka Shonibare CBE RA (@shonibarestudio), and Fatimah Tuggar. It is an incredible honour to be curating this Pavilion. Not long now… www.nigeriaimaginary.com Commissioned by His Excellency Governor Godwin Obaseki of Edo State Government on the behalf of the Ministry of Art, Culture and the Creative Economy (@fmacce_nigeria ) Organised by The Museum of West African Art (@mowaaofficial)
Likes : 936Aindrea Emelife - 857 Likes - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial

857 Likes – Aindrea Emelife Instagram

Caption : Christie’s and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Likes : 857Aindrea Emelife - 857 Likes - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial

857 Likes – Aindrea Emelife Instagram

Caption : Christie’s and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Likes : 857Aindrea Emelife - 857 Likes - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial

857 Likes – Aindrea Emelife Instagram

Caption : Christie’s and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Likes : 857Aindrea Emelife - 857 Likes - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial

857 Likes – Aindrea Emelife Instagram

Caption : Christie’s and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Likes : 857Aindrea Emelife - 857 Likes - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial

857 Likes – Aindrea Emelife Instagram

Caption : Christie’s and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Likes : 857Aindrea Emelife - 857 Likes - Christie's and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial

857 Likes – Aindrea Emelife Instagram

Caption : Christie’s and the Museum of West African Art (MOWAA) are collaborating to raise funds for MOWAA and its initiatives to create a cultural ecosystem in Benin City based on the art of the past, present and future.⁣ ⁣ A number of artists have generously agreed to donate original works of art to the auction, including Kehinde Wiley, Yinka Shonibare, Tunji Adeniyi-Jones, Lakwena Maciver and Victor Ehikhamenor.⁣ ⁣ Proceeds from the sale of the works will go towards MOWAA initiatives including the presentation of the Nigerian Pavilion at La Biennale di Venezia, 2024—commissioned by the Governor of Edo State and curated by Aindrea Emelife—and the 20-acre Creative District, including the Rainforest Gallery.⁣ ⁣ #MOWAA @aindreaemelife @kehindewiley @shonibarestudio @tunjiaj @lakwena @victorsozaboy @mowaaofficial
Likes : 857Aindrea Emelife - 813 Likes - Standing in front of Kehinde Wiley’s work is always a moment that demands a pause. Not only do we as the viewer have the opportunity to appreciate the awestriking mastery of his painting up close, but an equal chance to reflect on the importance of his practice and its position of influence in contemporary art. Wiley’s interrogation of historical portraiture has long inserted black bodies into spaces previously reserved for white noblemen and royalty and has thus been a catalyst for the evolution of how we represent blackness today. Wiley’s legacy extends further through Black Rock, his multidisciplinary artist-in-residence program which brings together international artists to live and work in Dakar, Senegal, with a mission to support creation, collaboration, and incite change in the global discourse about what Africa means today. @kehindewiley @blackrocksenegal

813 Likes – Aindrea Emelife Instagram

Caption : Standing in front of Kehinde Wiley’s work is always a moment that demands a pause. Not only do we as the viewer have the opportunity to appreciate the awestriking mastery of his painting up close, but an equal chance to reflect on the importance of his practice and its position of influence in contemporary art. Wiley’s interrogation of historical portraiture has long inserted black bodies into spaces previously reserved for white noblemen and royalty and has thus been a catalyst for the evolution of how we represent blackness today. Wiley’s legacy extends further through Black Rock, his multidisciplinary artist-in-residence program which brings together international artists to live and work in Dakar, Senegal, with a mission to support creation, collaboration, and incite change in the global discourse about what Africa means today. @kehindewiley @blackrocksenegal
Likes : 813Aindrea Emelife - 791 Likes - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale

791 Likes – Aindrea Emelife Instagram

Caption : Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Likes : 791Aindrea Emelife - 791 Likes - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale

791 Likes – Aindrea Emelife Instagram

Caption : Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Likes : 791Aindrea Emelife - 791 Likes - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale

791 Likes – Aindrea Emelife Instagram

Caption : Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Likes : 791Aindrea Emelife - 791 Likes - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale

791 Likes – Aindrea Emelife Instagram

Caption : Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Likes : 791Aindrea Emelife - 791 Likes - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale

791 Likes – Aindrea Emelife Instagram

Caption : Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Likes : 791Aindrea Emelife - 791 Likes - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale

791 Likes – Aindrea Emelife Instagram

Caption : Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Likes : 791Aindrea Emelife - 791 Likes - Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale

791 Likes – Aindrea Emelife Instagram

Caption : Opening week! We can’t believe it’s almost here. As we countdown to Saturday, enjoy some install pics and final touches before opening week activities! We can’t wait to host you all at the Nigeria Pavilion. #NigeriaPavilion2024 #NigeriaImaginary #BiennaleArte2024
#StranieriOvunque
#ForeignersEverywhere @labiennale
Likes : 791Aindrea Emelife - 775 Likes - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters

775 Likes – Aindrea Emelife Instagram

Caption : Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Likes : 775Aindrea Emelife - 775 Likes - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters

775 Likes – Aindrea Emelife Instagram

Caption : Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Likes : 775Aindrea Emelife - 775 Likes - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters

775 Likes – Aindrea Emelife Instagram

Caption : Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Likes : 775Aindrea Emelife - 775 Likes - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters

775 Likes – Aindrea Emelife Instagram

Caption : Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Likes : 775Aindrea Emelife - 775 Likes - Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters

775 Likes – Aindrea Emelife Instagram

Caption : Another year, another Frieze week completed. To celebrate London’s most influential art fair, as a special commission with Frieze Masters and Frieze London, I was invited to select my Curated Picks and share them with you. Click the link in my bio to explore the full article. 1. Tyler Mitchell, New Horizons II, 2022 @tylersphotos 2. Nike Davies-Okundaye, Untitled, 1989 @ko_artspace 3. Sahara Longe, February 14th, 2022 @saharalonge @timothytaylorgallery 4. Joy Labinjo, FRANCIS AND ELIZABETH BARBER, 2022 @joylabinjo @tiwanicontemporary 5. Emma Amos, Waves, 2000 @ryanleegallery #FriezeLondon #FriezeMasters
Likes : 775Aindrea Emelife - 706 Likes - BEHIND THE EXHIBITION BLACK VENUS - Introducing Aindrea Emelife (@aindreaemelife). Aindrea Emelife - is a Nigerian-British curator and art historian from London. She trained as an art historian at the prestigious Courtauld Institute of Art and has quickly gone on to become a ground-breaking new voice in an art world otherwise steeped in tradition. Aindrea debuted her first column for the Financial Times aged 20 years old, and has been published widely and internationally, including articles in The Guardian, Vanity Fair, The Telegraph, BBC, GQ, Frieze, The Independent, BBC and ArtNet. She features regularly on podcasts, most recently Intelligence Squared, Talk Art, and The Art Newspaper Podcast and is dedicated to public speaking, usually pertaining to discussions of contemporary art, popularising art history and championing female, black or artists of colour. Moreover, Aindrea is the curator behind BLACK VENUS—an exhibition that surveys the legacy of Black Women in visual culture and celebrates Black beauty, while investigating the many faces of Black femininity. Starting April 5th, BLACK VENUS will be on view at Museum of the African Diaspora in San Francisco. Don’t forget to RSVP to Aindrea’s Curator & Artist Talk with Museum of the African Diaspora on April 6th (link-in-bio). To learn more about BLACK VENUS, click the link-in-bio. #BlackVenus #MoAD #AindreaEmelife

706 Likes – Aindrea Emelife Instagram

Caption : BEHIND THE EXHIBITION BLACK VENUS – Introducing Aindrea Emelife (@aindreaemelife). Aindrea Emelife – is a Nigerian-British curator and art historian from London. She trained as an art historian at the prestigious Courtauld Institute of Art and has quickly gone on to become a ground-breaking new voice in an art world otherwise steeped in tradition. Aindrea debuted her first column for the Financial Times aged 20 years old, and has been published widely and internationally, including articles in The Guardian, Vanity Fair, The Telegraph, BBC, GQ, Frieze, The Independent, BBC and ArtNet. She features regularly on podcasts, most recently Intelligence Squared, Talk Art, and The Art Newspaper Podcast and is dedicated to public speaking, usually pertaining to discussions of contemporary art, popularising art history and championing female, black or artists of colour. Moreover, Aindrea is the curator behind BLACK VENUS—an exhibition that surveys the legacy of Black Women in visual culture and celebrates Black beauty, while investigating the many faces of Black femininity. Starting April 5th, BLACK VENUS will be on view at Museum of the African Diaspora in San Francisco. Don’t forget to RSVP to Aindrea’s Curator & Artist Talk with Museum of the African Diaspora on April 6th (link-in-bio). To learn more about BLACK VENUS, click the link-in-bio. #BlackVenus #MoAD #AindreaEmelife
Likes : 706Aindrea Emelife - 660 Likes - NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent.... those who know me know I'm neck deep preparing for the Nigeria Pavilion at next years Venice Biennale - which now feels like it's tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the 'Working Wardrobe' series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron

660 Likes – Aindrea Emelife Instagram

Caption : NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent…. those who know me know I’m neck deep preparing for the Nigeria Pavilion at next years Venice Biennale – which now feels like it’s tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the ‘Working Wardrobe’ series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron
Likes : 660Aindrea Emelife - 660 Likes - NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent.... those who know me know I'm neck deep preparing for the Nigeria Pavilion at next years Venice Biennale - which now feels like it's tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the 'Working Wardrobe' series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron

660 Likes – Aindrea Emelife Instagram

Caption : NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent…. those who know me know I’m neck deep preparing for the Nigeria Pavilion at next years Venice Biennale – which now feels like it’s tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the ‘Working Wardrobe’ series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron
Likes : 660Aindrea Emelife - 660 Likes - NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent.... those who know me know I'm neck deep preparing for the Nigeria Pavilion at next years Venice Biennale - which now feels like it's tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the 'Working Wardrobe' series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron

660 Likes – Aindrea Emelife Instagram

Caption : NET-A-PORTER Feature 💚🤍💚 Life has been moving a bit too quickly of recent…. those who know me know I’m neck deep preparing for the Nigeria Pavilion at next years Venice Biennale – which now feels like it’s tomorrow. ⏰ 😱 However, I found a few moments to brush my hair and look like my past self (current self has been residing under a heap of books or glued to laptop on calls) and speak about how I tell stories via what I wear with the amazing team at @netaporter for the ‘Working Wardrobe’ series Many thanks to @francine_lou for the interview and triggering so much nostalgia To @lilybw to valiantly capturing me smiling in a photo (thank you!!) Stylist @kristenneillie @mayag.edit Art Director @livharrould Glam @sunao__takahashi @officiallychantelle @abena_lopez_nails And the whole Net-A-Porter team! @alcaselyhayford @streetchloe @es.robertson @kittyhlawrence @chloevdklaauw @yandelli @kayabarron
Likes : 660Aindrea Emelife - 610 Likes - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )

610 Likes – Aindrea Emelife Instagram

Caption : In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn’t catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_’s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Likes : 610Aindrea Emelife - 610 Likes - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )

610 Likes – Aindrea Emelife Instagram

Caption : In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn’t catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_’s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Likes : 610Aindrea Emelife - 610 Likes - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )

610 Likes – Aindrea Emelife Instagram

Caption : In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn’t catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_’s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Likes : 610Aindrea Emelife - 610 Likes - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )

610 Likes – Aindrea Emelife Instagram

Caption : In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn’t catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_’s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Likes : 610Aindrea Emelife - 610 Likes - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )

610 Likes – Aindrea Emelife Instagram

Caption : In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn’t catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_’s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Likes : 610Aindrea Emelife - 610 Likes - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )

610 Likes – Aindrea Emelife Instagram

Caption : In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn’t catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_’s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Likes : 610Aindrea Emelife - 610 Likes - In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn't catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_'s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )

610 Likes – Aindrea Emelife Instagram

Caption : In this weekends @ft_weekend Life & Arts I was invited by the FT and Ben Okri to muse on the state of things. As the newly appointed Curator (Modern and Contemporary) at The Edo Museum of West African Art (@emowaa_ ) I have been privileged and humbled to be part of the imagining of a future for West African art. Amidst media grabbing discussion about the overdue restitution of objects, it is clear to me that the happy flappy self congratulation of returns needs to go further. Restitution is meaningless if it doesn’t catalyse and connect with the present and future. @emowaa_ is emblematic of this optimistic future. Stretching from ancient to contemporary it addresses a need to connect with a young, creative population, provide economic opportunities and expand and build museum infrastructure and sites of learning on the continent. But it cannot be an island. If globalisation can bring Africa to the world and the world to Africa, then how does this circulation bring returns? In this article, I envision a truly circular global art ecosystem and authentic collaboration between our hallowed halls in the West and institutions in Africa. I discuss @emowaa_’s plans, my first academic focus as the new Curator and wax lyrical on one of the favourite pieces of Nigerian Modernism: Nigeria 1959 by Demas Nwoko. The past few months have been enriching collaborative thinking between some of our greatest minds. It is an honour to learn, grow and be part of this story. But moreover, it is a call to arms. Restitution is the start of the conversation. Now, we must look to the future. @emowaa_ (Edo Museum of West African Art) is a David Adjaye designed museum and cultural district and opens in stages from 2024. (@adjaye_visual_sketchbook @adjayeassociates )
Likes : 610Aindrea Emelife - 590 Likes - Excited to be sharing snippets of curatorial thinking's over on @nigeriaimaginary and @mowaaofficial ahead of the Nigeria Pavilion at the 60th International Art Exhibition, La Biennale Di Venezia @labiennale. The opening sentence from the Manifesto, titled, Natural Synthesis, written by artist Uche Okeke.Guided by the renascent African spirit of the 60s, Okeke and his peers forged a new modality for modernist art that synthesised traditional, indigenous African aesthetics with the new techniques and sensibilities found in a post-colonial world. Articulated through many fields of reference and artistic disciplines, Nigeria Imaginary is a restless investigation of the past. It looks back at some of Nigeria’s historic moments and artistic creations, explores the present, and defiantly imagines what is yet to come.

590 Likes – Aindrea Emelife Instagram

Caption : Excited to be sharing snippets of curatorial thinking’s over on @nigeriaimaginary and @mowaaofficial ahead of the Nigeria Pavilion at the 60th International Art Exhibition, La Biennale Di Venezia @labiennale. The opening sentence from the Manifesto, titled, Natural Synthesis, written by artist Uche Okeke.Guided by the renascent African spirit of the 60s, Okeke and his peers forged a new modality for modernist art that synthesised traditional, indigenous African aesthetics with the new techniques and sensibilities found in a post-colonial world. Articulated through many fields of reference and artistic disciplines, Nigeria Imaginary is a restless investigation of the past. It looks back at some of Nigeria’s historic moments and artistic creations, explores the present, and defiantly imagines what is yet to come.
Likes : 590Aindrea Emelife - 558 Likes - THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I've known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial

558 Likes – Aindrea Emelife Instagram

Caption : THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I’ve known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial
Likes : 558Aindrea Emelife - 558 Likes - THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I've known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial

558 Likes – Aindrea Emelife Instagram

Caption : THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I’ve known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial
Likes : 558Aindrea Emelife - 558 Likes - THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I've known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial

558 Likes – Aindrea Emelife Instagram

Caption : THREE GRACES 🕊 What an honour to have been invited to speak at Cliveden Literature Festival. Dressed by Chanel alongside @katy.hessel & @genevieve_gaunt (all the more special for being two girls I’ve known for so long!) I had the opportunity to take part in a conversation about history and the future alongside Catherine Ostler, Peter Frankopan, Ben Okri and Simon Sebag Montefiore, grounded in an unpicking of Montefiore’s latest book, The World: A Family History. The weekend was a true joy! @clivedenlitfest @chanelofficial
Likes : 558Aindrea Emelife - 548 Likes - Finally opening a show in the UK Black Venus comes to Blighty 🇬🇧 this Summer 🧜🏾‍♀️ 💜

548 Likes – Aindrea Emelife Instagram

Caption : Finally opening a show in the UK Black Venus comes to Blighty 🇬🇧 this Summer 🧜🏾‍♀️ 💜
Likes : 548Aindrea Emelife - 548 Likes - Finally opening a show in the UK Black Venus comes to Blighty 🇬🇧 this Summer 🧜🏾‍♀️ 💜

548 Likes – Aindrea Emelife Instagram

Caption : Finally opening a show in the UK Black Venus comes to Blighty 🇬🇧 this Summer 🧜🏾‍♀️ 💜
Likes : 548Aindrea Emelife - 548 Likes - ROLL CALL - apply for @new_curators - applications close in 5 DAYS!! I've very excitedly been working with the incredible team behind New Curators as one of their trustees. It all started one wintery day a few years ago, walking socially distanced with @markgodfrey1973 who I am lucky to count as a dear friend and mentor. Being asked to be part of this exciting course and expansion of curatorial study is meaningful as a curator who started not as a curatorial assistant or with a curatorial MA, but a plucky art historian with bold ideas and a passion for storytelling in new ways. New Curators embraces the unconventional (as we should) and the future of curators and so expansion of exhibition programming and how we see art. This is the sort of course I would have ran to apply to so you should too. Applications close soon. Thank you to @kerryngreenberg @markgodfrey1973 @rudimd for your hard work and belief that the path to equity has many routes, and starting early, by expanding who sees themselves in these positions and who can contribute to these discussions is vital. Proud to be part of this important mission. Can't wait to meet you, Class of 23 💜 x

548 Likes – Aindrea Emelife Instagram

Caption : ROLL CALL – apply for @new_curators – applications close in 5 DAYS!! I’ve very excitedly been working with the incredible team behind New Curators as one of their trustees. It all started one wintery day a few years ago, walking socially distanced with @markgodfrey1973 who I am lucky to count as a dear friend and mentor. Being asked to be part of this exciting course and expansion of curatorial study is meaningful as a curator who started not as a curatorial assistant or with a curatorial MA, but a plucky art historian with bold ideas and a passion for storytelling in new ways. New Curators embraces the unconventional (as we should) and the future of curators and so expansion of exhibition programming and how we see art. This is the sort of course I would have ran to apply to so you should too. Applications close soon. Thank you to @kerryngreenberg @markgodfrey1973 @rudimd for your hard work and belief that the path to equity has many routes, and starting early, by expanding who sees themselves in these positions and who can contribute to these discussions is vital. Proud to be part of this important mission. Can’t wait to meet you, Class of 23 💜 x
Likes : 548Aindrea Emelife - 548 Likes - ROLL CALL - apply for @new_curators - applications close in 5 DAYS!! I've very excitedly been working with the incredible team behind New Curators as one of their trustees. It all started one wintery day a few years ago, walking socially distanced with @markgodfrey1973 who I am lucky to count as a dear friend and mentor. Being asked to be part of this exciting course and expansion of curatorial study is meaningful as a curator who started not as a curatorial assistant or with a curatorial MA, but a plucky art historian with bold ideas and a passion for storytelling in new ways. New Curators embraces the unconventional (as we should) and the future of curators and so expansion of exhibition programming and how we see art. This is the sort of course I would have ran to apply to so you should too. Applications close soon. Thank you to @kerryngreenberg @markgodfrey1973 @rudimd for your hard work and belief that the path to equity has many routes, and starting early, by expanding who sees themselves in these positions and who can contribute to these discussions is vital. Proud to be part of this important mission. Can't wait to meet you, Class of 23 💜 x

548 Likes – Aindrea Emelife Instagram

Caption : ROLL CALL – apply for @new_curators – applications close in 5 DAYS!! I’ve very excitedly been working with the incredible team behind New Curators as one of their trustees. It all started one wintery day a few years ago, walking socially distanced with @markgodfrey1973 who I am lucky to count as a dear friend and mentor. Being asked to be part of this exciting course and expansion of curatorial study is meaningful as a curator who started not as a curatorial assistant or with a curatorial MA, but a plucky art historian with bold ideas and a passion for storytelling in new ways. New Curators embraces the unconventional (as we should) and the future of curators and so expansion of exhibition programming and how we see art. This is the sort of course I would have ran to apply to so you should too. Applications close soon. Thank you to @kerryngreenberg @markgodfrey1973 @rudimd for your hard work and belief that the path to equity has many routes, and starting early, by expanding who sees themselves in these positions and who can contribute to these discussions is vital. Proud to be part of this important mission. Can’t wait to meet you, Class of 23 💜 x
Likes : 548Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 532 Likes - What's in the colour pink? When I think of pink I think of Venetian red mixed with St John's White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol's Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn't wear pink? 🎀 @maisonvalentino

532 Likes – Aindrea Emelife Instagram

Caption : What’s in the colour pink? When I think of pink I think of Venetian red mixed with St John’s White, the lush raucous frivolity of Rococo, the eyeshadow lid of Warhol’s Marilyn or neon flashes of Dan Flavin. Yesterday, pink for me only means Valentino. So excited to be invited to embrace the brands signature colour in honour of their exhibition Forever Valentino. Who said art historians shouldn’t wear pink? 🎀 @maisonvalentino
Likes : 532Aindrea Emelife - 484 Likes - “THE CURATOR” FEATURED IN ELLE UK NOV ISSUE 2022 Cannot explain my excitement this morning flicking through ELLE Magazine and coming across myself amongst so many empowering women, many of whom I am lucky to call friends. From @soniaboyceartist whose powerful British Pavilion made an indelible mark on history and on so many lives, to the trailblazing beacon of support @ebeleokobi to the much-needed rallier for change of @elliepennick of @guts_gallery , confidante and example for great leadership @bettinakorek and filmmaker @ayoakingbade whose films connect to my many inner selves… In the interview, with the incredible @omfgnoway , I discuss my beginnings in art. From a childhood obsession with museums, to a ever evolving connection with seeing the art of Nigeria (Benin Bronzes, Idia Mask...), my cultural heritage, displayed and confined in the British Museum - a tandem source of inspiration, but painfully bittersweet in its displacement. History is always shifting - cultural sovereignty is key. Art has always been the most fascinating way for me to learn about myself. As the article ends, I am committed to being the person I wish I could have seen as a young girl, where museums hallways confusingly were where I felt most at home. I’m excited to see this, and so many inspiring people because I am excited to see what the future holds. Thank you @elleuk and @kenyahunt ! Also, I cannot lie - the inner fashion geek in me was SCREAMING at wearing this LOEWE! Dress @loewe Ring @shmjewellery

484 Likes – Aindrea Emelife Instagram

Caption : “THE CURATOR” FEATURED IN ELLE UK NOV ISSUE 2022 Cannot explain my excitement this morning flicking through ELLE Magazine and coming across myself amongst so many empowering women, many of whom I am lucky to call friends. From @soniaboyceartist whose powerful British Pavilion made an indelible mark on history and on so many lives, to the trailblazing beacon of support @ebeleokobi to the much-needed rallier for change of @elliepennick of @guts_gallery , confidante and example for great leadership @bettinakorek and filmmaker @ayoakingbade whose films connect to my many inner selves… In the interview, with the incredible @omfgnoway , I discuss my beginnings in art. From a childhood obsession with museums, to a ever evolving connection with seeing the art of Nigeria (Benin Bronzes, Idia Mask…), my cultural heritage, displayed and confined in the British Museum – a tandem source of inspiration, but painfully bittersweet in its displacement. History is always shifting – cultural sovereignty is key. Art has always been the most fascinating way for me to learn about myself. As the article ends, I am committed to being the person I wish I could have seen as a young girl, where museums hallways confusingly were where I felt most at home. I’m excited to see this, and so many inspiring people because I am excited to see what the future holds. Thank you @elleuk and @kenyahunt ! Also, I cannot lie – the inner fashion geek in me was SCREAMING at wearing this LOEWE! Dress @loewe Ring @shmjewellery
Likes : 484Aindrea Emelife - 484 Likes - “THE CURATOR” FEATURED IN ELLE UK NOV ISSUE 2022 Cannot explain my excitement this morning flicking through ELLE Magazine and coming across myself amongst so many empowering women, many of whom I am lucky to call friends. From @soniaboyceartist whose powerful British Pavilion made an indelible mark on history and on so many lives, to the trailblazing beacon of support @ebeleokobi to the much-needed rallier for change of @elliepennick of @guts_gallery , confidante and example for great leadership @bettinakorek and filmmaker @ayoakingbade whose films connect to my many inner selves… In the interview, with the incredible @omfgnoway , I discuss my beginnings in art. From a childhood obsession with museums, to a ever evolving connection with seeing the art of Nigeria (Benin Bronzes, Idia Mask...), my cultural heritage, displayed and confined in the British Museum - a tandem source of inspiration, but painfully bittersweet in its displacement. History is always shifting - cultural sovereignty is key. Art has always been the most fascinating way for me to learn about myself. As the article ends, I am committed to being the person I wish I could have seen as a young girl, where museums hallways confusingly were where I felt most at home. I’m excited to see this, and so many inspiring people because I am excited to see what the future holds. Thank you @elleuk and @kenyahunt ! Also, I cannot lie - the inner fashion geek in me was SCREAMING at wearing this LOEWE! Dress @loewe Ring @shmjewellery

484 Likes – Aindrea Emelife Instagram

Caption : “THE CURATOR” FEATURED IN ELLE UK NOV ISSUE 2022 Cannot explain my excitement this morning flicking through ELLE Magazine and coming across myself amongst so many empowering women, many of whom I am lucky to call friends. From @soniaboyceartist whose powerful British Pavilion made an indelible mark on history and on so many lives, to the trailblazing beacon of support @ebeleokobi to the much-needed rallier for change of @elliepennick of @guts_gallery , confidante and example for great leadership @bettinakorek and filmmaker @ayoakingbade whose films connect to my many inner selves… In the interview, with the incredible @omfgnoway , I discuss my beginnings in art. From a childhood obsession with museums, to a ever evolving connection with seeing the art of Nigeria (Benin Bronzes, Idia Mask…), my cultural heritage, displayed and confined in the British Museum – a tandem source of inspiration, but painfully bittersweet in its displacement. History is always shifting – cultural sovereignty is key. Art has always been the most fascinating way for me to learn about myself. As the article ends, I am committed to being the person I wish I could have seen as a young girl, where museums hallways confusingly were where I felt most at home. I’m excited to see this, and so many inspiring people because I am excited to see what the future holds. Thank you @elleuk and @kenyahunt ! Also, I cannot lie – the inner fashion geek in me was SCREAMING at wearing this LOEWE! Dress @loewe Ring @shmjewellery
Likes : 484Aindrea Emelife - 426 Likes - We're not at @courtauld anymore toto Finding myself in most interesting situations of recent. On my way to @darrenaronofsky premiere of The Whale at Venice Film Festival Who says academics don't wear pink feathers? 🪶 Dress by @sabina.bilenko

426 Likes – Aindrea Emelife Instagram

Caption : We’re not at @courtauld anymore toto Finding myself in most interesting situations of recent. On my way to @darrenaronofsky premiere of The Whale at Venice Film Festival Who says academics don’t wear pink feathers? 🪶 Dress by @sabina.bilenko
Likes : 426Aindrea Emelife - 408 Likes - Tomorrow marks the opening of “homegrown”, Amoako Boafo’s solo exhibition that I am honoured to have curated and been given the opportunity to immerse in the world and community he builds. The exhibition is in conjunction with the launch of dot.ateliers, a new artist residency space founded by the artist, designed by Sir David Adjaye OBE, and situated in Accra, Ghana. It’s been a luxury to search through Boafo’s personal collection to draw together a presentation of of works that serve as a poignant reflection of his practice and its association with home and community. As a Nigerian, I am committed to working on the continent - there is so much art history being made and decades and centuries to unravel. Looking forward to the fruitful future of this creative hub and delighted to have been a part of its conception. Community first. Artists first. This talent is homegrown - it is vital to exhibit and expand here. @amoakoboafo @dot.ateliers @adjaye_visual_sketchbook

408 Likes – Aindrea Emelife Instagram

Caption : Tomorrow marks the opening of “homegrown”, Amoako Boafo’s solo exhibition that I am honoured to have curated and been given the opportunity to immerse in the world and community he builds. The exhibition is in conjunction with the launch of dot.ateliers, a new artist residency space founded by the artist, designed by Sir David Adjaye OBE, and situated in Accra, Ghana. It’s been a luxury to search through Boafo’s personal collection to draw together a presentation of of works that serve as a poignant reflection of his practice and its association with home and community. As a Nigerian, I am committed to working on the continent – there is so much art history being made and decades and centuries to unravel. Looking forward to the fruitful future of this creative hub and delighted to have been a part of its conception. Community first. Artists first. This talent is homegrown – it is vital to exhibit and expand here. @amoakoboafo @dot.ateliers @adjaye_visual_sketchbook
Likes : 408Aindrea Emelife - 404 Likes - Frieze Week has begun! Can't wait to share what is truly a jam packed week of the most exciting things with you all! @ahluwalia @priya.ahluwalia1 @bjork @anothermagazine @koibird

404 Likes – Aindrea Emelife Instagram

Caption : Frieze Week has begun! Can’t wait to share what is truly a jam packed week of the most exciting things with you all! @ahluwalia @priya.ahluwalia1 @bjork @anothermagazine @koibird
Likes : 404Aindrea Emelife - 399 Likes - an art historian wrapped in silk I'm currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett

399 Likes – Aindrea Emelife Instagram

Caption : an art historian wrapped in silk I’m currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett
Likes : 399Aindrea Emelife - 399 Likes - an art historian wrapped in silk I'm currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett

399 Likes – Aindrea Emelife Instagram

Caption : an art historian wrapped in silk I’m currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett
Likes : 399Aindrea Emelife - 399 Likes - an art historian wrapped in silk I'm currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett

399 Likes – Aindrea Emelife Instagram

Caption : an art historian wrapped in silk I’m currently writing an essay on the odalisque and think inadvertently started channeling the character? In the 19th C, the odalisque was a common fantasy figure really, fashion is often about reclaiming and exploring a fantasy a few snaps of @connerives and I, @juliahobbs_ bathroom touch ups at the @britishvogue x @mrselfportrait summer party @chilternfirehouse earlier this week ♥️ 📸 @jamesdkelly @davebenett
Likes : 399Aindrea Emelife - 389 Likes - People and (Places): Aindrea Emelife (London via Lagos) @aindreaemelife on spiritual protection I always carry books with me. I have said that we carry history with us, but I take this literally. I feel grounded with the knowledge of the past and so the possibilities of the future with me. I find a home in people, and I find it in art. Museums were always a place of solace for me. Hyper curious, sometimes dangerously slow, museums are where curiosity is rewarded and where stories live. And each time you visit the story is told differently. I find peace and empowerment in that. All the world's futures lie ahead. With @bonnielangedijk and @benjaminbreading #Tabayer #PeopleAndPlaces #Oera #CraftedInItaly #FairminedGold

389 Likes – Aindrea Emelife Instagram

Caption : People and (Places): Aindrea Emelife (London via Lagos) @aindreaemelife on spiritual protection I always carry books with me. I have said that we carry history with us, but I take this literally. I feel grounded with the knowledge of the past and so the possibilities of the future with me. I find a home in people, and I find it in art. Museums were always a place of solace for me. Hyper curious, sometimes dangerously slow, museums are where curiosity is rewarded and where stories live. And each time you visit the story is told differently. I find peace and empowerment in that. All the world’s futures lie ahead. With @bonnielangedijk and @benjaminbreading #Tabayer #PeopleAndPlaces #Oera #CraftedInItaly #FairminedGold
Likes : 389
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