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Kent Monkman Most Liked Photos and Posts

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Most liked photo of Kent Monkman with over 10.8K likes is the following photo

Most liked Instagram photo of Kent Monkman
We have around 100 most liked photos of Kent Monkman with the thumbnails listed below. Click on any of them to view the full image along with its caption, like count, and a button to download the photo.

Kent Monkman Instagram - Ceci n’est pas une pipe Acrylic on canvas 8” x 10” 2001
Kent Monkman Instagram - Ceci n’est pas une pipe Acrylic on canvas 8” x 10” 2001
Kent Monkman Instagram - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Kent Monkman Instagram - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Kent Monkman Instagram - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Kent Monkman Instagram - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Kent Monkman Instagram - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Kent Monkman Instagram - How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024
Kent Monkman Instagram - How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024
Kent Monkman Instagram - How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024
Kent Monkman Instagram - Heaven and Earth Acrylic on canvas 8” x 10” 2001
Kent Monkman Instagram - Heaven and Earth Acrylic on canvas 8” x 10” 2001
Kent Monkman Instagram - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Kent Monkman Instagram - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Kent Monkman Instagram - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Kent Monkman Instagram - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Kent Monkman Instagram - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Kent Monkman Instagram - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Kent Monkman Instagram - Happy Indigenous Peoples Day
Kent Monkman Instagram - Cree Master 1 Acrylic on canvas 10” x 12” 2002
Kent Monkman Instagram - Cree Master 1 Acrylic on canvas 10” x 12” 2002
Kent Monkman Instagram - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Kent Monkman Instagram - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Kent Monkman Instagram - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Kent Monkman Instagram - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Kent Monkman Instagram - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Kent Monkman Instagram - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Kent Monkman Instagram - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Kent Monkman Instagram - Study for amiskiss Acrylic on panel 9” x 12” 2024
Kent Monkman Instagram - Study for amiskiss Acrylic on panel 9” x 12” 2024
Kent Monkman Instagram - Study for amiskiss Acrylic on panel 9” x 12” 2024
Kent Monkman Instagram - Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024
Kent Monkman Instagram - Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024
Kent Monkman Instagram - Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Kent Monkman Instagram - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Kent Monkman Instagram - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Kent Monkman Instagram - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Kent Monkman Instagram - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Kent Monkman Instagram - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Kent Monkman Instagram - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Kent Monkman Instagram - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Kent Monkman Instagram - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Kent Monkman Instagram - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Kent Monkman Instagram - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Kent Monkman Instagram - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Kent Monkman Instagram - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Kent Monkman Instagram - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Kent Monkman Instagram - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Kent Monkman Instagram - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Kent Monkman Instagram - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Kent Monkman Instagram - Leda and the Swan Acrylic on canvas 68” x 48” 2014
Kent Monkman Instagram - Leda and the Swan Acrylic on canvas 68” x 48” 2014
Kent Monkman Instagram - Leda and the Swan Acrylic on canvas 68” x 48” 2014
Kent Monkman Instagram - Leda and the Swan Acrylic on canvas 68” x 48” 2014
Kent Monkman Instagram - Faint Heart 7,558 Watercolour on paper 12” x 9” 2008 Faint Heart 534 Watercolour on paper 12” x 9” 2008 Faint Heart 9,273 Watercolour on paper 12” x 9” 2008 Faint Heart 27,148 Watercolour on paper 12” x 9” 2008 Faint Heart 96,922 Watercolour on paper 12” x 9” 2008
Kent Monkman Instagram - Faint Heart 7,558 Watercolour on paper 12” x 9” 2008 Faint Heart 534 Watercolour on paper 12” x 9” 2008 Faint Heart 9,273 Watercolour on paper 12” x 9” 2008 Faint Heart 27,148 Watercolour on paper 12” x 9” 2008 Faint Heart 96,922 Watercolour on paper 12” x 9” 2008
Kent Monkman - 10.8K Likes - Ceci n’est pas une pipe Acrylic on canvas 8” x 10” 2001

10.8K Likes – Kent Monkman Instagram

Caption : Ceci n’est pas une pipe Acrylic on canvas 8” x 10” 2001
Likes : 10781Kent Monkman - 10.8K Likes - Ceci n’est pas une pipe Acrylic on canvas 8” x 10” 2001

10.8K Likes – Kent Monkman Instagram

Caption : Ceci n’est pas une pipe Acrylic on canvas 8” x 10” 2001
Likes : 10781Kent Monkman - 10.5K Likes - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022

10.5K Likes – Kent Monkman Instagram

Caption : Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Likes : 10530Kent Monkman - 10.5K Likes - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022

10.5K Likes – Kent Monkman Instagram

Caption : Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Likes : 10530Kent Monkman - 10.5K Likes - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022

10.5K Likes – Kent Monkman Instagram

Caption : Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Likes : 10530Kent Monkman - 10.5K Likes - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022

10.5K Likes – Kent Monkman Instagram

Caption : Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Likes : 10530Kent Monkman - 10.5K Likes - Study for Cease and Desist Acrylic on canvas 18” x 24” 2022

10.5K Likes – Kent Monkman Instagram

Caption : Study for Cease and Desist Acrylic on canvas 18” x 24” 2022
Likes : 10530Kent Monkman - 8.9K Likes - How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024

8.9K Likes – Kent Monkman Instagram

Caption : How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024
Likes : 8895Kent Monkman - 8.9K Likes - How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024

8.9K Likes – Kent Monkman Instagram

Caption : How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024
Likes : 8895Kent Monkman - 8.9K Likes - How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024

8.9K Likes – Kent Monkman Instagram

Caption : How the West Was Won Copper plate etching with Watercolour on Acid-Free Paper Paper Size: 11” x 9.25” Plate Size: 6” x 6” Edition of 30 2024
Likes : 8895Kent Monkman - 6.9K Likes - Heaven and Earth Acrylic on canvas 8” x 10” 2001

6.9K Likes – Kent Monkman Instagram

Caption : Heaven and Earth Acrylic on canvas 8” x 10” 2001
Likes : 6922Kent Monkman - 6.9K Likes - Heaven and Earth Acrylic on canvas 8” x 10” 2001

6.9K Likes – Kent Monkman Instagram

Caption : Heaven and Earth Acrylic on canvas 8” x 10” 2001
Likes : 6922Kent Monkman - 6.7K Likes - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007

6.7K Likes – Kent Monkman Instagram

Caption : Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Likes : 6724Kent Monkman - 6.7K Likes - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007

6.7K Likes – Kent Monkman Instagram

Caption : Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Likes : 6724Kent Monkman - 6.7K Likes - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007

6.7K Likes – Kent Monkman Instagram

Caption : Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Likes : 6724Kent Monkman - 6.7K Likes - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007

6.7K Likes – Kent Monkman Instagram

Caption : Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Likes : 6724Kent Monkman - 6.7K Likes - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007

6.7K Likes – Kent Monkman Instagram

Caption : Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Likes : 6724Kent Monkman - 6.7K Likes - Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007

6.7K Likes – Kent Monkman Instagram

Caption : Si je t’aime prends garde à toi (Study for Icon for a New Empire) Acrylic on canvas 36” x 24” 2007
Likes : 6724Kent Monkman - 6.2K Likes - Happy Indigenous Peoples Day

6.2K Likes – Kent Monkman Instagram

Caption : Happy Indigenous Peoples Day
Likes : 6166Kent Monkman - 6.1K Likes - Cree Master 1 Acrylic on canvas 10” x 12” 2002

6.1K Likes – Kent Monkman Instagram

Caption : Cree Master 1 Acrylic on canvas 10” x 12” 2002
Likes : 6055Kent Monkman - 6.1K Likes - Cree Master 1 Acrylic on canvas 10” x 12” 2002

6.1K Likes – Kent Monkman Instagram

Caption : Cree Master 1 Acrylic on canvas 10” x 12” 2002
Likes : 6055Kent Monkman - 5.2K Likes - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs

5.2K Likes – Kent Monkman Instagram

Caption : To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Likes : 5213Kent Monkman - 5.2K Likes - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs

5.2K Likes – Kent Monkman Instagram

Caption : To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Likes : 5213Kent Monkman - 5.2K Likes - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs

5.2K Likes – Kent Monkman Instagram

Caption : To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Likes : 5213Kent Monkman - 5.2K Likes - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs

5.2K Likes – Kent Monkman Instagram

Caption : To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Likes : 5213Kent Monkman - 5.2K Likes - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs

5.2K Likes – Kent Monkman Instagram

Caption : To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Likes : 5213Kent Monkman - 5.2K Likes - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs

5.2K Likes – Kent Monkman Instagram

Caption : To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Likes : 5213Kent Monkman - 5.2K Likes - To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs

5.2K Likes – Kent Monkman Instagram

Caption : To celebrate National Indigenous History Month and Pride Month, the Studio is doing a giveaway! Kent created Miss Chief’s Fanny Flags as a tribute to queer history and the practice of flagging. The editioned set includes four colourful bandanas printed with an intricate array of beavers, Miss Chief’s “praying hands,” and beadwork-inspired woodland patterns on cotton made on Turtle Island. Inspired by the creativity and resilience of Two-Spirit and queer communities, Miss Chief’s Fanny Flags make a flashy accent for any ensemble from top to bottom. You and a friend could each win a set of Miss Chief’s Fanny Flags. To enter, please comment on this post and tag a friend. You both must be following this account. Winners will be chosen randomly and contacted through DM. Giveaway ends Monday, June 10th. Miss Chief’s Fanny Flags 2021 Set of four screenprinted cotton bandanas Made in USA 20.8” x 20.8” Edition of 400 APs
Likes : 5213Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4.6K Likes - Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4.6K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (Anal Beads) Graphite on Acid Free Paper Paper Size: 10.5” x 13.5” Frame Size: 18.5” x 20.5” 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 4599Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 4K Likes - Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada

4K Likes – Kent Monkman Instagram

Caption : Study for The Triumph of Mischief (After Bosch) Graphite on Acid Free Paper Paper Size: 11” x 13.5” Frame Size: 18” x 20.5 2007 Preparatory drawing for the painting The Triumph of Mischief in the collection of the National Gallery of Canada The Triumph of Mischief Acrylic on canvas 84” x 132” 2007 Collection of the National Gallery of Canada
Likes : 3955Kent Monkman - 3.8K Likes - Study for amiskiss Acrylic on panel 9” x 12” 2024

3.8K Likes – Kent Monkman Instagram

Caption : Study for amiskiss Acrylic on panel 9” x 12” 2024
Likes : 3790Kent Monkman - 3.8K Likes - Study for amiskiss Acrylic on panel 9” x 12” 2024

3.8K Likes – Kent Monkman Instagram

Caption : Study for amiskiss Acrylic on panel 9” x 12” 2024
Likes : 3790Kent Monkman - 3.8K Likes - Study for amiskiss Acrylic on panel 9” x 12” 2024

3.8K Likes – Kent Monkman Instagram

Caption : Study for amiskiss Acrylic on panel 9” x 12” 2024
Likes : 3790Kent Monkman - 3.8K Likes - Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024

3.8K Likes – Kent Monkman Instagram

Caption : Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024
Likes : 3787Kent Monkman - 3.8K Likes - Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024

3.8K Likes – Kent Monkman Instagram

Caption : Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024
Likes : 3787Kent Monkman - 3.8K Likes - Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024

3.8K Likes – Kent Monkman Instagram

Caption : Study for I Am in the Air You Breathe Acrylic on panel 12” x 9” 2024
Likes : 3787Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.4K Likes - Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman

3.4K Likes – Kent Monkman Instagram

Caption : Just Dropped: Kent Monkman The month’s Drop features six unique works from the series ‘Portraits of a Legend’, along with ‘How the West Was Won’, a watercolor hand-painted etching available in a limited edition of 30 — each by Kent Monkman. The works in the Drop include imagery of Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle — a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. The six acrylic paintings in the series ‘Portraits of a Legend’ depict Miss Chief Eagle Testickle in her signature dreamcatcher bra and high heels, hunting for love and communing with her kin: the indigenous animals of Turtle Island (North America). In ‘How the West Was Won’, Miss Chief Eagle Testickle dominates a cowboy against the backdrop of a desert, an open sky, and the imposing sandstone buttes of Monument Valley. Available now at Dropshop. © Kent Monkman
Likes : 3448Kent Monkman - 3.2K Likes - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride

3.2K Likes – Kent Monkman Instagram

Caption : The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Likes : 3218Kent Monkman - 3.2K Likes - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride

3.2K Likes – Kent Monkman Instagram

Caption : The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Likes : 3218Kent Monkman - 3.2K Likes - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride

3.2K Likes – Kent Monkman Instagram

Caption : The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Likes : 3218Kent Monkman - 3.2K Likes - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride

3.2K Likes – Kent Monkman Instagram

Caption : The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Likes : 3218Kent Monkman - 3.2K Likes - The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride

3.2K Likes – Kent Monkman Instagram

Caption : The Emergence of a Legend Kent Monkman in collaboration with photographer Christopher Chapman @ccphotophoto & makeup artist Jackie Shawn @jackieshawn Series of five photographs (chromogenic prints on metallic paper) Photo size: 4.5” x 6.5” 2006 Image 1: Miss Chief as Performer, Catlin’s Sharp Shooter Image 2: Miss Chief as Vaudeville Performer Image 3: Miss Chief as Cindy Silverscreen Image 4: Miss Chief as Movie Director Image 5: Miss Chief as the Trapper’s Bride
Likes : 3218Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 3.1K Likes - The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011

3.1K Likes – Kent Monkman Instagram

Caption : The Collapsing of Time and Space in an Ever Expanding Universe Life sized figure sculpture, antique furniture, paint, wallpaper, wood, taxidermied animals, audio Dimensions approx. 21’ x 14’ x 16’ 2011
Likes : 3104Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.8K Likes - Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil

2.8K Likes – Kent Monkman Instagram

Caption : Watercolour Study for Constellation of Knowledge (Cobalt) Watercolour on Paper 18” x 24” 2022 Recently acquired by @artgalleryvic On view now In the Flesh: The Nude in Art, Past and Present until March 31 curated by @scarletonmcneil
Likes : 2828Kent Monkman - 2.7K Likes - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017

2.7K Likes – Kent Monkman Instagram

Caption : La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Likes : 2701Kent Monkman - 2.7K Likes - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017

2.7K Likes – Kent Monkman Instagram

Caption : La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Likes : 2701Kent Monkman - 2.7K Likes - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017

2.7K Likes – Kent Monkman Instagram

Caption : La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Likes : 2701Kent Monkman - 2.7K Likes - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017

2.7K Likes – Kent Monkman Instagram

Caption : La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Likes : 2701Kent Monkman - 2.7K Likes - La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017

2.7K Likes – Kent Monkman Instagram

Caption : La Nouvelle Odalisque Acrylic on canvas 51” x 49” 2017
Likes : 2701Kent Monkman - 2.4K Likes - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.

2.4K Likes – Kent Monkman Instagram

Caption : Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Likes : 2448Kent Monkman - 2.4K Likes - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.

2.4K Likes – Kent Monkman Instagram

Caption : Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Likes : 2448Kent Monkman - 2.4K Likes - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.

2.4K Likes – Kent Monkman Instagram

Caption : Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Likes : 2448Kent Monkman - 2.4K Likes - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.

2.4K Likes – Kent Monkman Instagram

Caption : Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Likes : 2448Kent Monkman - 2.4K Likes - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.

2.4K Likes – Kent Monkman Instagram

Caption : Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Likes : 2448Kent Monkman - 2.4K Likes - Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.

2.4K Likes – Kent Monkman Instagram

Caption : Expelling the Vices Acrylic on canvas 60” x 84” 2014 Expelling the Vices is currently on view at the Musée national des beaux-arts du Québec in the exhibition Generations: The Sobey Family and Canadian Art. This touring exhibition opened at @mnbaq on February 16 and will run at the museum until May 12, 2024.
Likes : 2448Kent Monkman - 2.1K Likes - Leda and the Swan Acrylic on canvas 68” x 48” 2014

2.1K Likes – Kent Monkman Instagram

Caption : Leda and the Swan Acrylic on canvas 68” x 48” 2014
Likes : 2134Kent Monkman - 2.1K Likes - Leda and the Swan Acrylic on canvas 68” x 48” 2014

2.1K Likes – Kent Monkman Instagram

Caption : Leda and the Swan Acrylic on canvas 68” x 48” 2014
Likes : 2134Kent Monkman - 2.1K Likes - Leda and the Swan Acrylic on canvas 68” x 48” 2014

2.1K Likes – Kent Monkman Instagram

Caption : Leda and the Swan Acrylic on canvas 68” x 48” 2014
Likes : 2134Kent Monkman - 2.1K Likes - Leda and the Swan Acrylic on canvas 68” x 48” 2014

2.1K Likes – Kent Monkman Instagram

Caption : Leda and the Swan Acrylic on canvas 68” x 48” 2014
Likes : 2134Kent Monkman - 2K Likes - Faint Heart 7,558 Watercolour on paper 12” x 9” 2008 Faint Heart 534 Watercolour on paper 12” x 9” 2008 Faint Heart 9,273 Watercolour on paper 12” x 9” 2008 Faint Heart 27,148 Watercolour on paper 12” x 9” 2008 Faint Heart 96,922 Watercolour on paper 12” x 9” 2008

2K Likes – Kent Monkman Instagram

Caption : Faint Heart 7,558 Watercolour on paper 12” x 9” 2008 Faint Heart 534 Watercolour on paper 12” x 9” 2008 Faint Heart 9,273 Watercolour on paper 12” x 9” 2008 Faint Heart 27,148 Watercolour on paper 12” x 9” 2008 Faint Heart 96,922 Watercolour on paper 12” x 9” 2008
Likes : 1953Kent Monkman - 2K Likes - Faint Heart 7,558 Watercolour on paper 12” x 9” 2008 Faint Heart 534 Watercolour on paper 12” x 9” 2008 Faint Heart 9,273 Watercolour on paper 12” x 9” 2008 Faint Heart 27,148 Watercolour on paper 12” x 9” 2008 Faint Heart 96,922 Watercolour on paper 12” x 9” 2008

2K Likes – Kent Monkman Instagram

Caption : Faint Heart 7,558 Watercolour on paper 12” x 9” 2008 Faint Heart 534 Watercolour on paper 12” x 9” 2008 Faint Heart 9,273 Watercolour on paper 12” x 9” 2008 Faint Heart 27,148 Watercolour on paper 12” x 9” 2008 Faint Heart 96,922 Watercolour on paper 12” x 9” 2008
Likes : 1953
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