“Orions Rise” (2024) Resin, C-Print For The Metropolitan Museum’s “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now” Exhibition, Curated by Akili Tommasino @akilitommasino Closing Feb 17th
“Orions Rise” (2024) Resin, C-Print For The Metropolitan Museum’s “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now” Exhibition, Curated by Akili Tommasino @akilitommasino Closing Feb 17th
“Orions Rise” (2024) Resin, C-Print For The Metropolitan Museum’s “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now” Exhibition, Curated by Akili Tommasino @akilitommasino Closing Feb 17th
“Orions Rise” (2024) Resin, C-Print For The Metropolitan Museum’s “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now” Exhibition, Curated by Akili Tommasino @akilitommasino Closing Feb 17th
“Orions Rise” (2024) Resin, C-Print For The Metropolitan Museum’s “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now” Exhibition, Curated by Akili Tommasino @akilitommasino Closing Feb 17th
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
Wrote about my origin story for The Met Museum: “Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now “ Exhibition Catalogue. S/O Tina and Mathew for all the stops you’ve made on the constellations to bring me here, and on the Nile, at that. Y’all are low key wild and legends frfr lol. To say it is an honor to have work, sculpture at that, in an exhibition with so many giants who have truly helped me to see myself in ways unimaginable would be an understatement. Thank you Fred Eversley, for the expansion in my minds eye on what material and process can express. Thank you to all the practitioners and magicians and architects within the show who have shaped the way I experience light. Thank you Earth Wind and Fire for showing little me the way. Thank you Akili for your trust in me to imagine this. The C-Print is a photograph I took of the “Orions Rise” tour set I designed at Sydney Opera House in 2017. I’m sitting in the “Performance Pyramid” right across from king Senga Nengudi, so what is life yall…..what is lifeeee?
